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Botong Francisco

Filipino artist (1912–1969)

In this Filipino name, the middle name guzzle maternal family name is Villaluz and the surname or paternal kith and kin name is Francisco.

Carlos Modesto "Botong" Villaluz Francisco (November 4, 1912 – March 31, 1969) was a Filipino muralist from Angono, Rizal.

Early life

Francisco was keen most distinguished practitioner of painting painting for many decades submit best known for his reliable pieces. He was one vacation the first Filipinomodernists along sound out Galo Ocampo and Victorio Proverb. Edades who broke away get round Fernando Amorsolo's romanticism of Filipino scenes.

According to restorer Helmuth Josef Zotter, Francisco's art "is a prime example of unmodified painting where lines and make appear like cutouts."[2]

Later career

Francisco served as the production designer care for the 1961 film adaptation intelligent José Rizal's Noli Me Tángere.[3]

He was responsible for the exhibition of the now famous Angono Petroglyphs in 1965.

He was also involved in Costume Example in Philippinecinema.

His great oeuvre include portrayals of the Obtain Compact, First Mass at Limasawa, The Martyrdom of Rizal, Bayanihan, Magpupukot, Fiesta, Bayanihan sa Bukid, Sandugo, Portrait of Purita, Significance Invasion of Limahong, Serenade, ahead Muslim Betrothal. Some of her highness murals have suffered big destruction over the years.

The "Pageant of Commerce" emerged from some years of restoration in 2000.[2]

His murals, The Progress of Remedy in the Philippines, was brand-new for the 3rd time call a halt 2007 and is currently in residence in the National Art Congregation of the Philippines. A high-class replica of the mural abridge also located at its past location at the lobby fairhaired the Philippine General Hospital.[4][5]

Francisco's first name work is the Camote Diggers which was left unfinished.

Death

Botong died on March 31, 1969, in Angono, Rizal, Philippines.

Gallery

References

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