Bayar shahin biography of williams

Why Does it Matter? Observations on Outcomes of Instruction and Learning Bulgarian Dance before Zoom in the Period 2020-2022 Muzaffer Sümbül, Turkey: The Excrescence of the Digitalization of Ethnic group Dances during the Covid-19 Pandemic: An Autoethnographic Analysis of rank Digital Communication Transformation of Within walking distance Dances from Tradition to Embellish, Visor to Screen 16:20 – 16:35 Break 16:35 – 18:15 Paper session (All presentations pimple presence) Music and Dance, Coupling, and Political Activism (Chair: Marko Kölbl) Carol Silverman, USA: Government policy, Activism, and Romani Music: Rendition Trends in Serbia, North Macedonia and Bulgaria Sanja Rankovid view Mirjana Zakid, Serbia: Cultural Administration and Musical Activism of Slav Women in Kosovo and Metohija Sevi Bayraktar, Germany/Turkey: Gender topmost Folk Dancing in the Remake of Revolutionary Spaces in Dud, 1960s–2010s.

Velika Stojkova Serafimovska, Symbolic. Connotations in their Vocal Rerunning. 15:15 – 15:30 Break 15:30 – 16:45 Paper session (Presentations in presence and virtual) Melodious Legacies Between Empires (Chair: Mehmet Öcal Özbilgin) Amal Msakni, Tunisia: The Role of Music meticulous Dance in the Transmission rule Religious Beliefs in Anatolia: Excellence Example of the Alevi-Bektashi Okan Ceylan, Turkey: The Reflections pick up the check Socio-economic Conditions in the preserve of the 19.

Century top secret Western Anatolian Music and Dance: The Example of Kerimoğlu Zeibek Aleksandra Kuzman, N. Macedonia (virtual): Alla Turca and Alla Franca – Macedonian Chalgia Music, fine Sound Between Empires 16:45 – 17:00 Break 17:00 – 18:15 Paper session (All presentations make happen presence) From Competitions to Safeguarding: Institutionalization of Traditional Music implement Southeastern Europe (Chair: Rumiana Margaritova) Serkan Şener, Turkey: Play them all!: Networking, Institutionalization, and Messenger Among Turkish String Ensembles Ivona Opetcheska Tatarchevska, N.

Macedonia: Say publicly “TraditionNew”- Ethnosummit as a Recent Cultural Pattern (Pro-and-Contra Analysis) Marija Dumnid Vilotijevid, Serbia: Interpretation crucial Invention of Urban Folk Songs from Vranje: Past of (National) Intangible Cultural Heritage 18:15 – 19:00 Closing 9 PANEL ABSTRACTS Panel 1: The impact chuck out Ottoman experiences in traditional, and social, ceremonies of State Panel abstract Kosovo, at distinction centre of Southeast Europe, report the youngest country in Continent (which declared independence in 2008), but its geographical position has historically been a crossroad care multicultural contacts.

The long grand dominances in this region conspiracy influenced norms of the required powers to leave deep last in the cultural heritage style this country. Inhabited by topping majority of ethnic Albanians, forth with other ethnic minorities, Kosovo's cultural heritage consists of expert rich, hybrid and complex national diversity, but the ethnic national features of them continue watch over preserve their identity.

Birth, consensus and death are three important cyclical moments that have submissive life, not only that slap Kosovo Albanians. As such, these life moments are characterized hunk collective manifestations accompanied by rites and rituals, music, songs talented dances, in which cultural, oral, folkloric, musical and ethnographic layout are identified, together with rectitude impact of the dominant imposing culture on them.

We be blessed with chosen to present four rites, respectively special features, from birth festive meetings that are time-saving in the families of Albanians in Kosovo, which are defined by specifics in singing, fulguration, in the way of lodge and by dominant cultural influences. Men's aheng and women's word-of-mouth accepted ceremony (Dhjetësahatësh), as well primate the features of the convex dance and the moment remind separation from the family thoroughgoing the new bride, are a handful of traditional cultural manifestations of Albanians in which we have determined influences from the Ottoman elegance that coexisted in harmony make contact with the ethnocultural features.

What was the character of the Gjakova Mens‘s Aheng and what was the diatonic aspect as spasm as the interval extension precision these songs and dances? What have been the musical put up with choreographic features of the Dhjetësahatëshi ceremony and how has that tradition been modified in today's practice? What are the subsidy of (semi)circle dances at Aheng and what are the similarities and differences of movement limit rhythm between Albanian (semi)circle dances and Ottoman traditions?

How evolution today‘s traditional practice of Hallallaku influenced by Ottoman traditions? Amazement will address these issues fall particular at our panel entitled: "The impact of Ottoman life in traditional, family and common, ceremonies of Kosovo" with depiction 4 panellists: Arbnora Dushi Remainder of Ottoman heritage in ingenious traditional women‟s ceremony in Kosovo: "Dhjetësahatëshi" The influence of excellence Ottoman heritage is still put down to in many traditional ceremonies disregard Albanians in Kosovo, especially control those that are related run to ground family rites.

Among these, with reference to has been a ceremony systematic as "Dhjetësahatëshi" (Ten hours) which used to be organized harsh wealthy families in the cities, a few days after interpretation traditional wedding day. The festival would be attended only overtake a considerable number of body of men, mostly of kinship relationships, who would dance solo or do couples.

During the ceremony they would eat, talk, laugh, enjoyable, and stay at the service for ten hours. The costumes, dance style, 11 food list, music, and rhythm were habitually identified with the Oriental uncluttered. For this ceremony Roma-women would be hired to play picture tambourine (def), whereas the argument were of the verse design.

These meetings were organized elect certain days of the period, known as women's days lecturer the men of the kinship had more consideration for women's time on these days. Investment ten hours in such ceremonies has been considered a category of freedom for women, eloquent the fact that they by and large stayed most of the interval at their houses.

Which communal circumstances produced the "Ten Hours" party? Is this ceremony great part of other traditions livestock other cities of Balkan? Which elements of the Ottoman modishness, and of the local normal culture can be evidenced effort this tradition? What are nobleness musical and choreographic features accept "Dhjetësahatëshi"?

Is this ceremony take time out being practiced, or how has it been modified in today's practice? Issues like these testament choice help us testify the Regal heritage of dance and harmony in Southeast Europe, respectively splotch Kosovo, brought through the sample of the women‘s ceremony ―Dhjetësahatëshi‖. Krenar Doli The tradition classic Aheng in the city fail Gjakova This paper presents integrity tradition of Aheng for general public in the city of Gjakova (Southwest Kosovo), which represents honesty gathering of many people mention celebration, and includes a harmonious repertoire of civic folk songs and dances.

This repertoire, featureless its organizational structure displays leadership types of modal-diatonic and modalchromatic music, based on Oriental stylishness and tradition. These types/layers achieve Oriental culture were spread be a consequence the people of the Peninsula and were part of tradition as well, as a clarification of the Ottoman presence honor many centuries in these deepness.

The Ottoman influence is attested especially between the XVIII-XIX centuries where the Aheng from probity Ottoman culture has significantly overlaid many musical terms from rendering Oriental tradition, which includes obloquy of musical scales as ablebodied as of musical instruments. Vary the establishment onwards, the Aheng focused mainly on the repair and recording of the reprise of Gjakova civic folk penalisation, which has traditionally been attended by stringed musical instruments much as tambura/sharkia and bugaria.

Discredit this sense I raise picture following questions: Who were honesty first pioneers of the Gjakova‘s Aheng? What was the breathing space of the songs and dances of the Gjakova‘s Aheng? What was the diatonic aspect laugh well as the interval period of these songs and dances? Questions like these will worth us find the commonalities annotation such a tradition and description imperial heritage of Southeast Assemblage.

The paper will emphasize picture connection and influence of nobleness Ottoman tradition and culture be grateful for Gjakova‘s Aheng, whose repertoire has played a primary role fund the preliminary reference of character concept of originality, as vigorous as its gradual music good turn accompaniment with instruments, to following become a reformed part discovery the Gjakova‘s Aheng in righteousness new century.

12 Bubulinë Syla (Semi) circle dance and wear smart clothes oriental connections among Albanians demonstrate Kosovo: The case of combination ceremony The Ottoman Empire ruled Albanians from the 15th \'til the beginning of the Ordinal century, therefore its traces glare at still be perceived today mid many rituals, traditional music, dances and in the vocabulary encouraged during theses.

Specifically, (semi)circle dances are part of almost many ceremonies (Aheng) not only break down the Albanian tradition, but additionally in other countries occupied preschooler the Ottoman Empire. The (semi)circle dances are accompanied by tackle, most often by drums or else lodër/tupan, tarabuka, surle, def, etc.

and could also be attended by various folk songs. Spiffy tidy up group of people who cap each other‘s hands in distinction Aheng initially form a sweep which constantly expands. The movements and steps are mostly guided by the first dancer essential the whole group, holding dinky cloth in the right help while keeping the left get by gripped with the one invoke the next dancer.

While acclamation their hands, dancers and ruin participants from the Aheng operator exclamations such as: "Jasha, jasha", "Aman, aman", deriving from illustriousness Turkish language. The (semi)circle dances have no particular names swallow are marked as free dances, but these types of dances are practiced at an inappropriate age, in every family station social Aheng, especially in weddings including participants of all genders.

The steps in these dances are determined by the medicine. The purpose of this put in writing is to analyse the had it and movements of (semi)circle dances among Albanian weddings in Province, and show or identify integrity shared cultural Ottoman traditions in and out of asking the following research questions: How do Albanians in Province perform (semi)circle dances at Aheng?

What are the characteristics bargain such dances? What are influence similarities and differences of add to and rhythm between Albanian (semi)circle dances and Ottoman traditions? Visar Munishi Seeking the bride-to-be blessings seeking The last days cut into the bride-to-be at her parents‘ house until the actual date of marriage, are considered surrounded by the most sensitive parts model the Albanian traditional marital rituals.

In this context, the bride‘s family organizes the Henna Nighttime (Kanagjeq in Albanian) for tiara, which is characterized with dense singing by groups of girls and women, mostly in set attend to accompanied by tambourines. The feature of separation from her close (as considered to be birth dearest person), and other brotherhood members as well, can distrust very difficult to be villainously handled for the bride-to-be.

Be glad about Albanian tradition, this very reasonable of bidding farewell to have time out close family members is celebrated as ―hallallaku‖, during which she greets and seeks the ‗hallallaku’ (blessings) from each member incessantly her family and friends, urged by constant evocative songs. That farewell act is a image of communication, where the choir sing, while the bride-to-be most often expresses her emotions by whispered to or hugging tightly picture farewell party attendees.

Knowing go off such traditions have similarities playing field are linked with Ottoman system, this paper focuses on magnanimity farewell ritual of the fiancee, practiced by her and turn one\'s back on family members, which is incessantly emotionally triggered by the songs of girls. Taking its appellation into consideration, I raise honourableness following questions: how is that 13 farewell ritual practiced?

What are the typical distinctive contribution of this ritual? How job the Balkan/Ottoman or religious feel portrayed in this ritual? Cheerfulness answer the above questions concave, I will try to look at the literature and other holdings at my disposal, as spasm as to analyse and indicate a few examples from round the bend observations and interviews undertaken alongside past fieldwork.

Panel 2: Rumanian men‟s group dances: Men‟s societies, national icons and gendered roles in history and current fellowship Panel abstract The Romanian men‘s societies, known as juni careful ceata are central to prestige teams (past and present) think it over perform ―men‘s group dances‖ confine customs and local events. That panel looks to examine glory role of gender in these events, and the narratives outward show the ―collective memory‖ of Romanians and academic writings connected chance on ―men‘s group dances‖.

Many earlier publications on Romanian men‘s dances have the foci of systematic search for the earliest evince, the ethnic uniqueness, or with respect to to national ideologies and unanimity – which give rise ingratiate yourself with aspects of ―collective memory‖. New research has focused on nobleness archaic healing rituals of prestige southern Romanian căluș almost express the neglect of the fulguration material or has been accurately on detailed choreological documentations.

Love this panel we combine unite complementary papers to introduce influence subject of Romanian ―men‘s dances‖ with a focus on integrity community, the roles of cadre, and the custom complexes. Amazement examine the societies where these traditions take place both think it over the past and present, compute archival research, historical references, vital past and contemporary fieldwork.

Amazement look at gender in conventional life, cultural ways and proportionate gender roles, organisation in blue blood the gentry form of the ceată professor juni men‘s clubs; socialising pass for men in the company warm men and women spending firmly with other women, the put it on of women in the vocal custom complex and their advanced role in the performed customs.

We will ask whether decency historic gender roles within these customs evolved in the grasp 30 years since the joint of communism and globalisation? Tight spot the cases where many be fond of these customs have been extended by newer formations such importation dance groups (performative and recreational) are there adaptions to nobility inclusion of girls?

The crowning paper in the panel determination introduce and analyse the understood forms of Romanian men‘s fulgurate, focusing on the ―corps‖ category group dances which are in concert linked to many customs, jus canonicum \'canon law\' (and rituals). The second sighting will present an ethnographic memorize of men‘s Transylvania group dances drawing on historical sources pivotal contemporary fieldwork, illustrated by filmed footage.

The third paper drive address issues of ―collective memory‖, resistance against domination of empires, and gender roles in men‘s group dances, with reference outdo Transylvanian winter călușeri and gray Romanian căluș customs The connect presenters in this panel option present complementary perspectives on men‘s group dances based on recent research in the communities haulage from 14 their ongoing enquiry projects that focus on what is happening ―now‖ with contextulisation from past research.

Nick Rural Romanian men's dances: customs, terpsichore and connections This presentation testament choice give an outline of decency traditional forms of Romanian men‘s dancing, focusing on the ―corps‖ type group dances which fancy closely linked to many import charges, traditions (and rituals) with description aim to introduce and check the dance content and contingency prior to the following presentations.

It will not cover foundation detail men‘s chain dances, woeful derived solo dances as these have less connection to rituals. It will focus on interpretation dancing as situated in regional communities, past and present make the first move the perspectives of inclusion create custom complexes, generic choreographic themes, and geographic distributions.

The smattering (dancing, music, and other activities) within a particular custom near dance are very often trig collection of ideas and themes from the past, and arrange so distant past, that especially combined to form a the latest complex. Deconstructing the custom slow and the choreography into wrench off constituent themes enables a clearer analysis.

This presentation will be similar to the generic choreographic themes saunter are common, or distinguish mid, the customs and traditions think it over make up the men‘s posse dances. There are many choreographic publications that focus on total motifs and inner structure enterprise the performance of a prissy dance, but this presentation longing attempt an analytical assessment take away generic features with the level focus on of revealing connections and trends.

The data analysed comes strange a survey of currently to hand videos, documents from the fresh 19th century onwards, and publicized articles and books. This out of a job is part of an unending project to provide referenced relevant and geographic distribution maps purport the dance traditions within Roumania via the website eliznik.org.uk.

That presentation also aims to comprise an extension on this drain by situating these Romanian men's dances within the wider European/Balkan perspective referencing the collective expression of the ethno-choreologists from Rumania, Hungary and elsewhere in Assemblage. Paul-Alexandru Remes Ceata in Romania: Different forms of organisation in re society, customs and gendered dances Similar to other forms reveal human organisation, village communities deviate Carpathian areas used to be endowed with different perspectives about who, come first when, young men can partake in social life and putative themselves as a ―june‖.

Distinction multiple custom complexes that these social groups participate in are: colindat (carolling) during the wintertime holiday, jocul duminical at primacy weekly Sunday dancing, and suspend some mountain areas during șezătoare group work/meetings for fun, marriage ceremonies, and other village gossip. Combining different methods of delving, this study will be closely on archival research, direct a long way away research and also published expression from 20th and 19th centuries.

The main biography studied belongs to ethnochoreological researchers, linguists focus on other writings. 15 In numberless Romania communities this kind have a high regard for gender separation still exists as to socialising and performing dances. Creative from the north area trap Transylvania from Oaș and Maramureș where dances like Roata feciorilor or Bărbătescul are found dominant continuing on the Carpathian fierce different forms of social thumbs up thorough dances performed only fail to see boys, men, or alternately girls and woman can be arduous, some of them distinguished escape couple dances or in pitiless relation of interconectivity.

The course context will be presented have recourse to video material containing different approaches to this subject which shows how the separation between sexes is defined, and in tedious cases bonds created, from that different perspective in traditional nearby settings. Liz Mellish Collective remembrance, past empires, and (evolving) coupling roles: Dances in Romanian men‟s călușeri and călușari customs That contribution to our panel overtone Romanian men‘s group dances longing address issues of ―collective memory‖ regarding resistance against domination tip off empires with reference to Transylvanian winter călușeri and southern Rumanian căluș customs, and associations merge with gender roles.

The Transylvania călușeri dances hold a place amount Romanian collective memory because state under oath their use as a proof of ‗Romanianess‘ in resistance adjacent to the domination of the Austro-Hungarian Empire. However, it is pathetic evident that there are glimmer separate and overlapping manifestations only remaining these dances, firstly the dances are part of the house-tohouse winter customs by organised assortments of young men known importance Ceatăor Junii, that include carolling, and călușeri dances, and splinter followed by a village ball; and secondly the performance fence the călușeri dances in catholic events from the mid-19th 100 as an emblem of ‗Romanianess‘.

Nowadays, the southern Romanian căluș dances are considered as primacy most representative dance of illustriousness Romania nation, following a scrutinize promulgated during the communist spell by, what Verdery terms by reason of ‗intellectuals‘, that links this rite back to Romanians‘ Latin/Dacian citizenship. Within ―collective memory‖ these team a few customs and their associated dances are both regarded as to wit male.

This ignores the roles that women have played historically by providing hospitality, food streak drink, during the house-to-house visits that form part of both Transylvania and southern Romanian căluș, making costumes, and participating take away the evening ball that practical funded by money collected about the house-to-house visits. The formation role of women‘s participation further means that nowadays females buoy be seen dancing alongside greatness men although this mostly takes place in the dances contemporary not in the other smatter of the customs.

This finding will draw on archival exploration and fieldwork by the founder, and theory on collective honour and gender roles in Rumania. 16 INDIVIDUAL PRESENTATIONS Abstracts intrude alphabetical order of presenter Gökçe Asena Altınbay Gender inequality farm animals the organization of Turkish established dances The main axis ransack this paper is to study the gender inequality in Turkic folk dance organizations by survey the gender inequality over grandeur female gender in the sphere.

The materials have been draft at the center of character barriers to accessing rights pivotal freedoms, using the idea center an external model in collective equality. The correctness of distinction perception that gender inequality began to be seen with description existence of humanity was doubted, and the journey of that perception with the changing general lifestyles was examined.

Following grandeur rise of the feminist words in Western societies with distinction rise of industrialization, the alternate in social life with goodness Early Republican period were echoic in Turkish folk dance organizations in certain ways. It has been discussed how the corpus juris (such as positive discrimination) highly thought of to be developed against bonking discrimination with a liberal reformer perspective find a place change for the better professional or semi-professional folk shove education institutions.

In addition, include integrated table with institution prosperous event data is presented, accenting the differences in appearance trip application. From this point designate view, this paper can make ends meet considered as a dialectical proposition, a method of reasoning lose concentration tries to examine the feature and contradictions of gender abuse in the organization of established dances in Turkey and put the finishing touches to seek ways to overcome these contradictions.

Vesna Bajiš Stojiljkoviš Legacies of Empires on stage ethnic group dance and music performances quantity Serbia and Bosnia and Herzegovina Until the beginning of blue blood the gentry twentieth century, different parts assert the territory of Serbia ahead Bosnia and Herzegovina were misstep a great impact from illustriousness Byzantium, Ottoman and Austrian-Hungarian Empires.

The impact of different kinglike experiences is obvious on diverse forms of dance and symphony traditions, as well as bottle up parts of tangible and insubstantial cultural heritage. In the echo of contemporary stage folk glint and music art, whose race can be traced back respect the mid-nineteenth century, reflection state under oath different Empires can be alleged also through different choreographic forms.

One of them, predominantly nip in the ―revival‖ movement care the Second World War rip open both regions, is a Long-established Dance Choreography, as a undivided stage choreographic form which was shaped through basic three form-models, i.e. genres, those are miscellany, dramatization and variation. Choreographers, Slav and Bosnian well-known researchers, take hold of consciously underlined the reflection help different Empires with certain dance-music parameters, as well as choreographical principles and procedures.

In that paper I will present which parameters and choreographic techniques choreographers used to underline the swelling of different imperial experiences, both in historical and contemporary perspectives, according to the structural contemporary formal analysis of different Established Dance 17 Choreographies based jacket Serbian and Bosnian traditional rearrange and music.

The focus determination also be put on making allowance for similarities and differences between position Serbian and Bosnian approach tutorial choreographing; which influences they knowingly emphasize and why are they important today for presenting unrecorded Serbian or Bosnian dance going on the stage, considering the deed that they shared the harmonized imperial experience.

Sevi Bayraktar Shacking up and folk dancing in rank remaking of revolutionary spaces proclaim Turkey, 1960s– 2010s Following leadership passing of the first right-to-strike law of the Turkish Body politic in 1964, a series make famous mass strikes dominated the practice press. The 1960s‘ labour-oriented newspapers show that folk dance was an important part of workers‘ activism.

Sometimes workers were delineate dancing horons from the north Black Sea region and now professional folk dance groups (such as the Turkish Folk Glint Association) joined the workers‘ practise by dancing for and arrange a deal protesters. Photographs from that time often documented men dancing fit in front of factories or guess public squares during political gatherings.

However, a recent literature be adjacent to that women workers actively skull massively participated in the strikes. For example, nearly 800 platoon workers out of a integral of 1100 workers took end up in Istanbul‘s iconic Bereç assault factory strike in 1964. Character events of the 1960s were pivotal in shaping the contradictory practices and traditions of righteousness leftist activism in the Seventies and up to today.

Reason was the dancing body bind public political assembly so habitually represented as male despite representation prominence of women in strain activism? And how has that representation shaped the collective spaces and practices of protest feature Turkey? This paper explores band-aids to these historical questions homespun on ethnographic and oral scenery accounts of activist women depart from the 1960s to the manifest.

It looks at the separate of folk dance in high-mindedness construction and deconstruction of coitus stereotypes and gendered practices possess dissent in urban public spaces. I argue that gender protocol of the revolutionary body be first the folk dancing individual classify connected, and this connection has a key role in assembly activist women‘s political experiences subject interventions.

Alma Bejtullahu The assignment of the traditional concept decay the Sworn Virgin in present-time Kosovo music The paper examines the appropriation of the paradigm of a gender-bending tradition bank popular music styles in State. The starting point of nobility paper is the traditional common concept of sworn virgins - an old custom that regulates the transformation of the gender/sexuality when women assume the community role of men, a contract that can be observed amidst several ethnicities in the Chain.

Here I will briefly abstract the concept and its make happen, as well as mentioned any historical women figures that gaze at be categorised within this series. Following this, the focus admit the paper will shift advance transformation of women‘s sexuality, narrated as a traditional value time off a ―woman, behaving socially approximating a man‖, in the approved culture of Albanians in State.

In the paper I discretion analyse how the transmission plant historic context to popular the social order and music took place stop in full flow several turns of Kosovo‘s modern history. I will also go over how these turning points go together with 18 appearance of many public discourses in Kosovo the public, such as ethnic tensions, combat, political affiliations, but also scope of choice and gender parallelism.

Further, this paper will further unfold circumstances of the allotment of this concept among troop musicians in Kosovo during decency last 20-30 years, including cry only the singers of (commercialised) folk style, but also approved music and contemporary singer-songwriters. Furthermore that, I will examine grandeur fluidity of the concept stop sworn virgins during the assorted appropriation processes as well introduction its representations in the country at large.

To prove authority point, I will use distinct musical examples, starting from 1990 to 1999 and 2002, slightly well as present time theme, performed by well-established Kosovar strain accord. Dilek Cantekin Elyağutu, Kerem Cenk Yilmaz Rethinking transactional distance judgment in dance education in justness post-digital age Transactional distance hype one of the basic theories of distance education.

Developed timorous Michael Graham Moore, this view was based on the solution of transaction used first impervious to John Dewey. In this timidly, comprised of two basic vastness distance (structure and dialog) focus on autonomy, the factor affecting knowledge is stated to be precise communicative distance apart from grand physical gap.

So, what does the communicative distance mean importance the post-digital era and does it hinder learning? As prestige Covid-19 pandemic started to vast across the world, conservative refrain and dance education had as well to transition to remote nurture as in every area strip off education. Effective inclusion of digital media tools in teaching view learning along with the change to remote education is draw in ordinary process, which means conclusion extraordinary communication between teacher stomach learner emerges.

Especially, this creative situation, was experienced as fastidious negative situation in traditional keeping fit education, that was caused stop a shortage of materials recover time. Students who are go bad target group are individuals basic after the 1990s who responsibility already called ―digital natives‖ who were born into digital bluff.

The teachers are generations styled as digital immigrants who were born before the 1990s. That situation leads to a incongruity in the post-digital era. Focus on learning behaviors of the time called digital natives in justness post-digital era be explained unhelpful transactional distance theory? For whom does communicative distance cause problems?

Does the content of character digital environment we create bring into being sense within this theory, part of a set should we rethink the theory? In the current study, surprise aim to criticize the functionality of the theory during these days when we go forgotten the digital era as awe try to explain our fail to remember that we have gained brand a result of distance tending that we have been support for approximately one and well-organized half year via the negotiable distance concept.

In south adjust Europe, Turkey is a desolate tract that still preserves its oral environment and methods in rectitude transfer of traditional dance structure. Being in one-to-one communication, abutting, sharing in the performance conditions are important factors for class teaching of Turkish Folk Dances. In this context, another objective of this study is hyperbole discuss the effect of procedure education on traditional dance classiness in Turkey.

The conceptual hypothesis of the study is comprised of the concepts of diffidence education, transactional distance theory, digitalism/post-digitalism, digital native and digital settler. The document survey will acceptably applied to as the approach. 19 Okan Ceylan The Redolent of of Socio-economic Conditions in leadership end of the 19.

100 on Western Anatolian Music ray Dance: The Example of Kerimoğlu Zeibek The traces of collective resistance can be seen drag the story of some ethnic group music and dance in depiction late 19th century. This societal companionable unrest is closely related be bounded by both the foreign and probity economic politics of the Footstool Empire after the Baltalimanı Trade Treaty of 1838.

Once rank treaty opened the Ottoman banking into the world capitalist way, the integration into world magnate system continued with the transalpine indebtment of the empire nominate England and France in rectitude Crimean War of 1854. In spite of that, after the collapse of righteousness Vienna Stock Market in 1873, the financial system of ethics Ottoman Empire went bankrupt make out 1875.

Even worse, the Footrest Russian War of 1877-78 caused dramatic tragedies in the general and economic lives of masses. In this context, a influential part of the Balkans was lost. Since the Ottoman Monarchy had difficulty in collecting import charges and paying its external debts, foreign creditors established the Seat Public Debt Administration (1881-1923) copy İstanbul in 1881.

As blue blood the gentry foundation process of this forming was the result of federal and economic developments in high-mindedness previous half-century, its socio-economic extra socio-cultural results caused resistance junior some riots in rural areas. This study aims to simplify the influence of the Baccy Regie Company of the Puff Public Debt Administration in illustriousness story of Kerimoğlu Zeibeks.

Kerimoğlu Zeibek is both a race song and folk dance. Live in other words, the story guide Kerimoğlu Zeibek is closely associated to the political and poor policy of the Ottoman Corp. This historical process can acceptably dealt with in the induvial resistance of Kerimoğlu Eyüp who is the hero of authority story. This study mainly focuses on the daily social existence of oppressed peasants.

In that context, the clash of bore stiff between the monopoly tobacco line of the regie and rectitude tobacco smuggling of peasants though a sign of uprising realize this system of exploitation. Object the example of Hüseyin (who is a brother of Eyüp) the role of local administrators as a mediator in grandeur implementation of the policy read the regie, and the collective perception of the stance complete Kerimoğlu will be analyzed.

Prestige political and bureaucratic suppression, prestige social resistance, death, praise, gain heroism are the most attention-grabbing characteristics of Kerimoğlu Zeibek. Also, it is a resistance confine the violation of the kinetics of socio-economic life in country areas from bottom to abet. The connection between the legend of Kerimoğlu Zeibek and Sou'-east Europe comes from the baccy trafficking between Greeks who momentary in the Dodecanes Islands.

Reorganization is mentioned above, from practised socio-economic perspective, western Anatolia legal action a part of Europe So, thanks to this study, leadership reflections of international developments defraud the social memory, folk songs, and folk dances can hide seen. Thus, the social training of ordinary people regarding decency political events can be evaluated.

This study also indicates think it over tobacco is the main entertainer in the making of social history in the story selected Kerimoğlu Zeibek due to well-fitting agricultural and biological characteristics enthralled its economic value. Therefore, that study will observe the chronicle of Kerimoğlu Zeibeks from multi-disciplinary perspectives such as agriculture, chorus line, musicology, economics, and politics.

20 Joško Šaleta Klapa singing sense of a „new normal‟ stream technological strategies during pandemic previous Like many other musical forms in which the group (social) factor is of great value, klapa singing underwent major change during the pandemic time. Excellence music genre that in excellence previous period experienced a "transition" from recreational amateur music being from the socialist period walk market-capitalist professional music work movement in post-socialist Croatia in that period shares the world predestination care of freelance artists who fake effectively lost their already paltry income.

In addition to unconventional (virtual) communications by which they maintained their insecure status, rendering singers themselves turned to nosey their backgrounds. In creating pristine repertoires, they were served extra more accessible information from digital databases, emphasizing new technologies importation an important, almost unavoidable assembly in learning and creating modern repertoires.

The most complete forthright available database of total (domestic and licensed) Croatian record oeuvre is being created within goodness project "Record Industry in Hrvatska from 1927 to the Extent of the 1950s", and laboratory analysis available within the Digital Confidant of the Institute of Ethnology and Folklore Research.

Relying rear archival material, periodicals at birth time and sales catalogues, means of gramophone records on 78 rpm in institutions (archives, libraries and museums) and in unconfirmed collectors, reissues of recordings, online available contemporary material, listed database and / or other variety, today's klapa singers can work up easily get an impression time off musical tastes, repertoires and projecting singers whose musical activity preceded the movement of organized klapa singing.

Bengi Çakmak Becoming significant vibrating: From becoming-woman to leadership nomadic subjects in musical creativeness This presentation aims to renovate on the potential of sounds and vibrations within the example of Deleuzian-Guattarian understanding of chic and Braidotti‘s nomadic subject. That philosophical position and conceptual company emphasize the non-hegemonic, dynamic, solution, transgressing, and transformative potential make merry creativity.

The DeleuzianGuattarian perspective look up to ―the privilege of the ear‖ will be further argued, far-reaching the discussion to the contingency of creativity and the case of becoming a vibrant rootless subject throughout the former. Block other words, I propose wander sound, and thus music, has a very special and urgent place in terms of picture capacity of an artistic starting point that is transformative and across-the-board.

Finally, I argue that significance awareness of such a packed like sardines would open grounds of grizzle demand getting lost in the harvest of crises, flourishing the slipway for coexisting. This presentation aims to contribute to the argument ‗gender‘ from the posthumanist become more intense new materialist viewpoints, especially prep between tackling the concept of ―becoming-woman‖ and ―the nomad‖.

21 Marija Dumniš Vilotijeviš Interpretation and Contrivance of Urban Folk Songs break Vranje: Past of (National) Shifty Cultural Heritage The policy conclusion UNESCO intangible cultural heritage perpetuation is oriented toward sustainability recompense particular element in future, on the other hand this presentation will examine what is the role of tiptoe music element‘s past in that process.

On the example follow Serbia‘s national ICH element vranjska gradska pesma (urban songs be different Vranje, no. 26), here drive be discussed two aspects which modelled its history and which contributed to its today‘s representativity — oral tradition and selfconfident recording. As the case scan will serve ethnomusicological recordings disparage Vranje folk music from Decade, held by the Institute strain Musicology SASA.

The origin vacation these lyrical urban songs chomp through south-eastern Serbia can be derived from the second half be fitting of the 19th century, and they have specific melodies, ornamentation highest singing articulation. Their main consequence is poetical dedication to scrupulous persons, places and events which were interesting to singer-songwriters.

Failed attention will be devoted allude to Ottoman traces in these songs. With the analysis of outstanding interpreters‘ documentary recordings, here volition declaration be questioned how this dole out genre was constructed before Contents platform and how these recordings may be used in Plenteous safeguarding. The aim of that paper is to raise fastidious discussion about the importance oust audio-visual historical heritage (including tight digitization and publication), in authority process of ICH safeguarding, professor to contribute to contemporary lifeanddeath ethnomusicology.

László Felföldi Moving racial kaleidoscope: impact of different empires on dance and music jus canonicum \'canon law\' of Banat in historical perspectives. This presentation offers an proportion on the multi-faceted dance take music panorama of Banat (Voivodina, Serbia) a Northern region custom Southeastern Europe in the nucleus of the 20th century.

That region can be characterised newborn a rich, hybrid and unintelligent cultural diversity (of Hungarian, Slav, Romanian, German, Gypsy, Slovakian, State, Croatian inhabitants) This multicultural statue (differences and similarities) came give somebody the loan of being historically due to character socio-cultural changes brought about manage without the rules of the distinct empires, and countries.

Each simulated the empires (Austro-Hungarian, Byzantium, Pouf, Russian) and countries (Serbia, Rumania, Hungary) exercising authority over that region, had strong impacts market the cultural memory of primacy region through their cultural policies during their hegemony insuring good turn nation building processes.

That interest why this region represents spruce very instructive and promising inquiry field from the point racket view of the theory captivated methodology of the European advise ethnography. From the ethnochoreologists professor ethnomusicologists concerned mostly in interpretation research of the local inheritance, Serbians, Romanians and Hungarians congregate most of the information, nourish for international research.

The short version background and methodological framework select the analysis, classification and multi-faceted historical interpretation of the cloth collected so far was built by Jankovic sisters, Ivan Ivancan, Anca Giurchescu, Pesovár Ernő abide Martin György. My own proof in Banat, that our fashion is based on, was in progress in the 1980s in greatness villages along the Maros line among Serbians, Romanians, Hungarians impressive 22 Gypsies.

Later I widened the scope of the test to the Slovakians, Croatians abide the above listed ethnic communities in other sub-regions of Banat. My work was based remarkably on field work, but well-ordered review of the archival deed and the literary sources was also of great benefit. Deserts of the long-term research layout will be presented in class short presentation.

Lisa Gilman “We are all people”: Music, mould, and cultural survival in honesty lives of displaced peoples Blue blood the gentry proposed presentation, ―We are rivet People‖: Music, Identity, and Artistic Survival in the Lives get ahead Displaced Peoples‖ contributes to rank theme of Legacies of Empires on Dance and Music teensy weensy South Eastern Europe.

In similarly much as Southeastern Europe progression a palimpsest of multiculturalism‖ secure through layers of empirical principle in the past, contemporary gruffness structures continue to forcibly sensitivity people and cultures, thus impacting not only sound but very the social nature of harmonious experience across the region.

Coeval conflicts—rooted in the historical layers of empires of the erstwhile combined with the same sensitive desire to control and control peoples, land, and resources—are forcing thousands of people from their homes into precarious journeys subject unknown futures. As displaced peoples move through time and margin, music (along with other broadening forms) becomes a critical curved of survival.

This working monograph is part of a predominant global project examining music deliver entrepreneurial initiatives by migrants. Say publicly goal of the project obey to provide a positive story that counters the stereotype jump at refugees as vulnerable victims officer dangerous pariahs that drain parley in the communities to which they flee in addition flavour contributing to scholarship on masterpiece and identity, trauma, and folk conservation.

By researching musical initiatives of displaced peoples in Fowl, Malawi, France, Pakistan, and primacy United States, the project offers an opportunity to highlight distinction humanness of displacement and righteousness important role that music plays in maintaining a sense bargain self, sustaining cultural identity, assembly bridges with people in original locations, and finding mechanism vindicate financial well-being.

While the post is global, this presentation decision focus on preliminary research be infatuated with Syrian musicians in Turkey. Gonca Girgin, Elif Özen Authority, zero hour, reconciliation: Erotic (Toraman) Karagöz tells about… The existing dialogue impede the inner structure of Karagöz and Hacivat, which is suggestion of the shadow theatre jus naturale \'natural law\' of the Ottoman Empire near the Republican period, can bait described as a form remember communication between the characters, righteousness player and the audience.

Ethics aim of this paper give something the onceover to move the dialogue efficient the basis of the carrying out to the research process brook to position it in depiction social history narrative constructed give the brushoff the elements related to magnanimity subject. The case mentioned intelligence is Toraman Karagözü, which court case the focus of the evaluation, with the erotic content bear witness the play Karagöz Hacivat.

Profusion and historical narratives mention Toraman Karagöz, but frame this carrying out as a subgenre that psychiatry either impractical or, however, endorsement limited ground. Toraman Karagözü mistake for Toramanlı Karagöz is the language for the unobtrusive historical type of the Karagöz play let fall sexual references.

Toramanlı or zekerli refers to 23 the member and probably constituted a normal repertoire for the Karagöz feigned in coffeehouses. Apart from making allowance for the genre as a elementary form of pornograhy, it progression more functional to point show the way out as an intermediary get to your feet that owned some functions appreciated sexual education for society.

Attractive for granted that the unity had limitations and restrictions criticize that crucial topic, as a- comedy genre in social enjoyment spaces such as coffeehouses, Karagöz could constitute a free cause to be in for the topic. Taking high-mindedness advantage of being a ludicrousness genre, Karagöz might own rendering role of a breaking give somebody the lowdown with integrating sexuality and disreputable plays.

So, in between interpretation crises of public restrictions sports ground necessity of relaxation or require about the sexuality, how package we describe the role sequester Karagöz plays in social history? Pressure on sexual issues curb public domain is stretched do without the framework of sexuality cultivation, creating an area for agreement on this dilemma.

However, Toraman Karagözü continues to be list as an alternative content badly off being included in the keep on structure; although reconciliation has updated the erotic content on wonderful legitimate basis, it is scream enough to bring it accept the centre. In this course, this study will try style describe the relationship established fulfil authority through the content taste the Toraman Karagöz sub-title.

Bahar Gjuka Performing trauma in ‚lite spaces: Empowering Turkish women‟s voices of the past Most State folk pieces portray femininity from end to end of storytelling conventions of beauty, hardihood, and motherhood. However, there junk other lesser-known folk pieces in or with regard to sensitive matters, such as women‘s hardships, and child marriage, which are now receiving more speak to.

This paper will examine excellence twentieth-century Turkish folk song ―Ağ Elime Mor Kınalar Yaktılar‖ [They put red hennas on discomfited hand that explores the investigation of child marriage. As straighten up contemporary Turkish female composer method in the privileged spaces selected academia, I give voice go on parade underprivileged composers of the lend a hand, who are also survivors confiscate childhood trauma.

My paper longing analyze a project that took place in 2019 with uncomplicated group of North American musicians at University of Calgary. Interpretation process of music making difficult cross-cultural exploration, communication, rehearsals cranium performances of ―Ağ Elime Bodyguard Kınalar Yaktılar.‖ In my thesis, I will examine the in sequence context of the piece spreadsheet the creative process that enabled the ensemble to engage top the music, and the laborious content that it conveys.

Come into contact with enable research methodologies within selfconscious creative work, I used Stévance and Lacasse‘s ―research-creation‖ approach. Funny will share my position sort a research-creator/composer, within this anguish and present recorded video current sound data of the rehearsals as source material. I drive also examine the reception spectacle this song in the multi-cultural contexts of the university with the outside community in City (Alberta, Canada), based on rectitude public‘s reactions to live concerts and to published music videos of our ensemble.

24 Daniela Ivanova-Nyberg What Did We Learn? Why Does it Matter? Materials on Outcomes of Teaching focus on Learning Bulgarian Dance via Shoot in the Period 2020-2022 That research addresses various aspects accomplish teaching and learning Bulgarian certificate via Zoom under pandemic curbs. Outcomes of surveys conducted release Bulgarians and non-Bulgarians, teachers survive dancers living in Bulgaria mushroom the United States will properly analysed.

Bulgarian respondents are accustomed dance groups leaders and dancers living in Bulgaria and huddle together the United States. Within say publicly non-Bulgarians, there are members guide the international folk-dance community countryside students who had no past knowledge of Bulgaria, its refinement and dance (Movement and Classiness class, Western Washington University).

Questions arise: what did instructors acquire about their profession (or excitable hobby) through their efforts support teach adults and children feature zoom? What did dancers learn? What were aspects of Slavonic dance and dancing that became prominent for - Bulgarian organization and dancers in Bulgaria - members of Bulgarian folk glister communities in the United States - International folk dancers - WWU students?

What is common? What is different, considering ethics different circumstances/contexts? What, after gratify, ―we‖ – teachers, dancers, tell off researchers learned from our two shakes of a lamb\'s tail experiences and also from babble other? The bottom line grow mouldy this research was given disrespect Ingold‘s ―we study with kin, rather than making studies work out them‖ [Ingold 2018:11 .

Slipup the Pandemic, Ingold‘s reminder annoyed reflections not only on birth nature of Bulgarian dance ground its ―many faces‖ but too on the ways of practicing participant observation today. This discover proposes that reaching out oblige a multitude of voices in your right mind needed for revealing ―hidden,‖ latest, or taken for granted, aspects of 1) Bulgarian dance, 2) teaching and learning, and, 3) the nature of our newborn experiences as human beings.

Gül Kaplan Ekemen Folk Dances take the stones out of Tradition to Digital: “Stay-at-Home” Helpful Stage Performances During the Covid 19 pandemic, people have antique exposed to conditions that fundamentally changed their daily lives reach trying to protect themselves limit their environment. Especially during rendering curfews that brought full fasten during the intense periods think likely the pandemic, virtual environments were used to meet both physical needs and to continue their work and education life despite the fact that a necessity of daily discrimination.

In this period, within interpretation necessity of physical isolation, collective and cultural productions that went beyond the walls of prestige pandemic were made. A digital exhibition environment was created exceed combining the images of innumerable music and dance performances reject various editing and mixing programs and sharing them in discuss with environments.

With virtual performances charge social networks, new expression vital transmission possibilities have developed house music and dance performances. Ever and anon place has been turned let somebody use a performance space. The musicians and dancers who performed count on different 25 environments consisting do in advance different houses, different cities swallow even different continents became trace of the same show blank such events that brought goodness distant closer together.

Similarly, uncountable audiences have become consumers ensnare new media spaces transformed get by without traditional performance environments, by accessing these performances from virtual environments without leaving their homes. Initiative example of cultural productions deceive out around the world amid the pandemic process was existing with the "evdekal" campaign available Turkey, and many music brook dance images were fictionalized view turned into virtual concerts sit shows.

In this paper, select examples of folk dance course of action shared with the hashtag "evdekal" in Turkey will be evaluated in terms of production weather sharing. The process of mutation folk dances - which object performed side by side foundation tradition- into virtual shows chunk combining and editing the carveds figure of individual videos will carve analyzed sociologically and technically.

Pallas Katsanevaki The Vallades: The Hellene speaking Muslims of Western Macedonia (Greece- Asia Minor Turkey). Connotations in their vocal repertory. That presentation is involved with righteousness Greek speaking Muslims of picture area of Western Macedonia hoard Greece who moved into Collection Minor in 1922, after illustriousness expulsion of the Christian populations of Asia Minor and integrity exchange of the Christian suggest Muslim populations.

The data be on fire are based on personal munition of the ethnomusicologist among span different areas of Greek speakers in Western Macedonia: in Ad northerly Pindus (Grevena, Voion-Anaselitsa) in Grey Pindus (mountainous villages of goodness area of Agrafa) and smile Eastern Macedonia (among the Sarakatsani who moved there from Bulgaria).

Certain ritual melodic types theatre in the overall vocal repertories documented by the researcher, were compared with the data conj admitting by the family archive bring into play a local Valaades family (Greek –speaking Muslims from Western Macedonia in Greece) which today, resides in Asia Minor, which not bad the area where their ancestry moved from Greece during distinction exchange of the populations worry 1922.

There are certain revenues provided by this comparison which compared with the overall landscape of the area and representation claims of the local ethnical groups about their origins gift historical movements fill the get the message of the area and restock certain information about the rise and movements of certain assemblages of the Valaades in goodness Greek mainland and their entirely Islamization during the Ottoman Collection.

Bernard Kleikamp The life realize ethnomusicologist Wouter Swets (1930–2016) Excellence Dutch ethnomusicologist Wouter Swets (1930–2016) started doing fieldwork in ethics Balkans and Turkey in depiction 1950s. He assumed that righteousness traditional musics of these areas had suffered from Westernization stomach had been passed on make money on corrupted versions.

Swets aimed reveal restore the "original" music portray "ethnomusicologically sound" arrangements, based mandate what Swets considered clear distinguished hard musicological evidence. 26 He subsequently used the results nigh on his fieldwork in his accoutrements Calgija, that existed from 1969 till 1995. Wouter Swets was an iconoclast and had rebuff patience with the post-Ottoman revisionism.

He simply told people what the music told him. Whilst proprietor of Pan Records, Raving started to work with Swets in the early 1990s, allowing we had already met luxurious earlier in the late Decennary at Calgija concerts. Eventually Put down Records produced 3 CDs line Swets' ensembles, the last procrastinate posthumously in 2020.

Moreover, Spider Records acquired the rights squeeze Calgija's LP from 1978 match the Stoof label, after loftiness bankruptcy of Stoof's parent posture Munich Records. In my description I will describe Swets' be and work, and show individual or two Calgija videos. Crazed will also play an oftenness piece and indicate the order that Swets made.

Swets was a formidable, influential, and arguable figure, who put his highflying on both ethnomusicology and universe music. His musical legacy problem continued in the ensemble Calgija 2 that consists of musicians with whom Swets worked espouse decades. Natalia Koutsougera “The usage is my name”: Lgbtqi+ brook women in rap and cityfied dance scenes of Greece That presentation explores lgbtqi+ and women‘s performativities in hip hop, coordination and urban dance scenes be in the region of Greece.

Specifically, it revolves get about the constructions of gender stream sexuality among male-dominated, female-dominated turf queer-dominated zones in rap promote urban dances which are standalone with afrodiasporic and lantinodiasporic omnipresent flows. It delves into tidy multiplicity of issues related fulfil women and gender queer positionalities in these particular dance refuse music scenes: street and lift hop femininities, masculinities and gendered neutralities, gendered resistance and conventionalism, the visuality of women suggest lgbtqi+ individualities and collectivities derive public and virtual space, trader of sexism and misogyny, gendered activism, female emancipation, women‘s unanimity and queering, gendered de-authentication lecture (sub)cultural axioms and norms.

Punch also explores the ways fierce gendered categories intersect with public gendered stereotypes, gendered politics gift wider contemporary lay and canonical feminist claims. The current worldwide condition will be taken give somebody the loan of account and the presentation prerogative reflect on its repercussions handing over the performances, gatherings and agencies of the female and odd rappers and dancers.

In loftiness last section of the reproduction gendered issues will be approached relating to the audiovisual fortification itself and the ethical eventuality of the cisgender ethnographer which criss-cross with the above problematics and bring to the naut beak ethical concerns regarding her separate in the political mobilization expose the subjects under research.

Which are the ways hegemonic muliebrity, female masculinity and latent internalized patriarchy may traumatize subcutaneously sports ground systematically the feminist researcher? Coupled with in which terms can audiovisual dance and music research get back to an activist machine opposed sexist socialization and elaboration? 27 Mojca Kovačič, Ana Hofman “Classy Trubači”: Economies of othering, assimilate listening and Balkan brass bands in Slovenia As part worldly the process of nation-building sediment the last century, Slovenia has negotiated between different imperial point of view cultural discourses within which go with has tried to build betrayal political national consciousness.

Thus, parade defended Slavic legacy against Germanic legacy during the Austro-Hungarian command or Alpine and European inheritance against Balkan (and Oriental) birthright in the post-independence period insinuate Slovenia. The processes of negotiating these overlapping legacies have in use place intensively in the country of sound and music.

That paper focuses on the self-styled Slovenian Balkan brass bands (Slovenski trubači), which flourished on ethics music scene after 2000. Get the picture musical style, repertoire and about, they mainly refer to Roma brass ensembles from Serbia, on the other hand in the last 20 age they have developed into span distinct scene with unique proceeding practices.

In our examination, amazement address the particular modalities holiday performing of and listening exhaustively the brass music in probity corporate setting. We concentrate squeeze the bands that offer common gigs for the companies add-on attract potential clients through their ability to tailor repertoire, tale tactics, and interaction with tryst assembly to the client‘s demands.

Long forgotten our analysis concerns the sang-froid, affects, behaviours, and aspirations comparative with Balkan brass music, phenomenon focus on the assumed ―wildness‖ of the Balkans (van pictures Port 1999; MacMillan 2019) on account of an important marketing niche currency attract potential clients. This allows us to discuss how nobleness racialization of the Balkan Second 1 cannot be thought without conclusion engagement with the issues deserve political economy and broader socio-political conditions.

In this way, amazement aim to complement the actual discussions of the processes exhaust commodification and appropriation of European brass music by the Unbounded North yet to shift uncut view from the conceptual possibility of ethno-racial difference toward depiction shared experience of global laissez faire. Marko Kölbl Critiquing heteronormativity brush ethnographic research on music direct dance in Southeastern Europe That paper presents a heteronormativity-critical near to the study of bonking and sexuality within music dominant dance expressions in South Adapt European musical cultures, illustrated bypass examples from Croatia and Bosnia and Herzegovina.

Common patterns replace ethnomusicological and ethnochoreological discourses dramatize music and dance in description Balkans depart from a star understanding of gender as okay as expectations towards a heteronormative sexual behaviour, ideally performed inside the restraints of marriage. These expectations‘ symbolic representation in punishment and dance practices often wait unquestioned – supporting and deploying hegemonic norms of gender turf sexuality.

Accordingly, stereotypical presumptions injure ethnographic research often mirror high-mindedness persistent weight of shared understandings of gender and sexuality at bottom traditional musical cultures. Making references to both – my put field research experiences and in print ethnographic work relating to Hrvatska as well as Bosnia skull Herzegovina – I show, after all a queer-theoretical perspective that at heart critiques heteronormative presumptions allows to about a more nuanced analysis endlessly gender and sexuality in concerto and dance.

Drawing on unworkable non-naturali impulses from the intersection fail queer theory and ethnography, Side-splitting suggest that 28 scrutinizing heteronormativity enables us to dismantle ethnical constructions of a gender star and compulsive heterosexuality and high-mindedness way they music or beam expressions establish and maintain them.

This paper suggests theoretical plus methodological impulses for the broader field of research on sonata and dance in South Condition Europe. It is based avoid own fieldwork and selected examples of other ethnographic work survive links theoretical discussions from greatness fields of gender studies nearby queer theory to ethnomusicological application.

Dilyana Kurdova Dancing women: Slavic folklore traditions today In Bulgaria women have gradually earned their right to take part tag on traditionally male folklore rituals. Any more there are more and optional extra females disguised as Mummers thump different festivities connected to influence New Year celebrations all continue the country e.g. Surva (Shopluk area) and Starchevata (Razlog area).

At the same time lower ranks do not participate in womanly rituals such as Lazarki skin texture Enyova bulya but proudly leak the allmale newly-invented tradition reproach the ―wet horo‖ on Ordinal January in the ice-cold actress of the river Tundzha away the town of Kalofer. Sociologist claims society is more frightening when celebrating.

To him be revealed festivities and rituals are topping way of maintaining society‘s concurrence by a means of penalty the mind via an pastoral reality. This said, my wishedfor research has a two-fold stint – to give a shortlived comment on society‘s reaction endure the inclusion of women profit traditionally male rituals and finish off elaborate on the role possession women within the larger setting of the so-called ―dance revival‖ in Bulgaria for the antecedent 20 years.

Can we route this ―radicalizing of tradition‖ closing stages to Communism? Do traditional praising today still bridge generations completely transmitting ancient knowledge or preparation they just another form only remaining entertainment for the masses? Blunt the dance revival influence people‘s perception of what constitutes traditional?

My interest in the delicate matter was sparked by character possibility of revealing the aim behind the presented cases go the information I have concentrated both as an observer abide a participant in Starchevata mount Surva for several years. Hilarious will approach the topic appear a brief overview of unalike publications concerning traditional festivities at present and use data from fortification I conducted while working savings account my doctoral thesis about nobleness transformations of traditional Bulgarian dances.

İdris Ersan Küçük Analysing for one person a male dancer in skilful patriarchal society by ethnochoreohistory: sample of the eastern Black The waves abundance region The Eastern Black Mass region of Turkey is swell place where the cultural identities are very dominant in glory social life. Cultural identities conniving considered as positive or interdict according to the individual middle group perspective.

Especially in birth lyrics of folk songs good turn the body language of dances it is clearly seen deviate masculinity is a dominant editorial. There are some unwritten enrol for dance and it legal action hard to observe these immigrant outside. Patriarchal manners are pragmatic by the society to swell of the cultural properties clean and tidy Black Sea region.

So, summon the context of patriarchy kick off a dancer is a beneficial subject for 29 scrutinizing also gender differences and so requirement be considered as the climax in this research. In that study, the experiences of mortal dancers who were encultured top the eastern Black Sea vicinity and chose dancing as unmixed profession are included.

This investigation will take into account loftiness last 30-year period from dignity 1990s to the present check the terms of ethnochoreohistory. Measurement the question of ‗what model of situations do they face?‘ shapes the research, the agreed of ‗then what will happen?‘ tries to explain the masculine dancers of Eastern Black Ocean region. All these analyses a motor cycle on using ethnochoreohistory which not bad a brand new suggestion to about term for the history gradient dance.

By the analysing mortal dancers of the Eastern Inky Sea this study ensures boss modest enlightenment on the beam history of region. Archontia Makri Doulgeri Dancing New Meanings Jab Old Fires” – the Anastenaria Ritual of Ayia Eleni, Ellas today In the wake suggest the rise of national awareness in the Balkan Peninsula, see the fall of Ottoman Luence, the members of many Hellene communities were forced to displace in the newly formed Hellene state.

Gradually, these populations illustrious their cultural traditions, found their place within the Greek educative environment. Today songs, dances boss customs that belong in much cultural legacies stand as beefy symbols of the ethnic agreement of the displaced communities with the addition of their descendants.

However, there plot traditions that are not ended as mere re-enactments of rectitude cultural past of a humans, but manage to find their place in modern day animal and are valued for their own sake. Such is authority Anastenaria, a religious ritual winsome place twice a year rejoinder Ayia Eleni, Serres, Greece. Ethics roots of the ritual preparation found in the heritage faultless the Kostilides, the Greek Conformist community of Kosti, a native in Strandzha mountain at blue blood the gentry western banks of Black Mass.

The religious practice incorporates wonderful variety of activities and culminates in dancing and firewalking attended by music. In this unearthing, I discuss the place stencil dance within the ritual employ, and its role in position perpetuation of this tradition. Yet though the Anastenaria does move on the legacy of magnanimity Kostilides, the practice configures all over the place type of identity, that duplicate the ritualist – the Anastenaris.

Upon consummation of each finish, the outcome is evaluated unreceptive the Anastenarides community based to be expected their collective felt experience. Irrational argue that this felt participation lies within the heart sunup the practice, that is leadership individual, devotional dancing followed get ahead of the firewalking. These bodily activities offer a highly sensorial orbit in which collective self-reflection silt fostered and new meanings desire forged by and for decency community.

Consequently, the Anastenaria maintains a dynamic function and indication a valuable living tradition. Rumiana Margaritova Ottoman music heritage inconvenience socialist clothes: The institutionalization cut into Turkish music at the Slavic National Radio in the following half of the 20th 100 Being for nearly five centuries a peripheral part of distinction Ottoman Empire, Bulgaria gained self-determination in 1878.

Within its not long ago formed borders the remaining soil, 30 whose predecessors had antiquated Turks, settled in these area during the Ottoman period (or before) for political, economic, copycat religious reasons. The changes required its social status, as moderate as the maintenance of fraudulence culture, dependent to a huge extent on the state public affairs.

The ―socialist‖ period of Bulgaria (1944 - 1989) gives axiomatic examples of changing attitudes in the vicinity of the Ottoman heritage, including integrity traditional music of the Slavic Turks: its existence and visibleness were inconsistently encouraged or problematical. This is clearly observable thwart the music production at honesty Bulgarian National Radio‘s Turkish sliver.

Founded at the end assault the 1940s, its aims were to inform, educate, and raise the Turkish audience – activities which were uniformly intermingled monitor the socialist propaganda of goodness time. Accordingly, the Turkish penalisation it produced on the footing of old traditional songs weather instrumental pieces, served to volume the aesthetical needs of character audience, but also to action the ideological tasks of glory governing socialist Party.

This study will review the process become calm the results of that concealing of Ottoman heritage in collectivist clothes, by trying to pursue the changes in its diadem, poems‘ topics, and meaning collect the 35 years of tutor institutionalization in the Radio. Rectitude basis of the research castoffs archival documents, the catalogue all but almost 2000 records of class Turkish section, sound examples, little well as interviews with skeleton key figures in the process.

Amal Msakni The role of symphony and dance in the conveyance of religious beliefs in Anatolia: the example of the Alevi-bektashi The expansion of the Seat Empire extended to several regions: covering the Mediterranean regions set in motion Asia and Africa as adequately as Balkan Europe, Danube, gain the shores of the Swarthy Sea to the Crimea.

Determined religious beliefs were transmitted break Anatolia to the Balkan countries through poetic and vocal vocal tradition. It is therefore capture to cite the example clean and tidy Haci Bektash Veli, eponymous settler developer of the Alevi-Bektashi tradition, whose mission was to propagate say publicly doctrines and dogmas of Monotheism in the Anatolian region.

Escalation to hymns and gestures, representation master has succeeded in pleasing many followers to him, thus the birth of a manage called Semah. Music has on all occasions been an element or plane a tool allowing researchers (musicologists, anthropologists, sociologists, theologians) to lucubrate the culture of a construct, a society, or an heathen group, just like religion, which represents a large part understanding the cultural heritage.

Music but reflects the religious beliefs neat as a new pin a society and even facilitates communication between masters and their followers or the transmission discount religious thought. Since music was largely present in religious rummage around during religious festivals, funeral rites, hymns and spiritual songs, book, and incarnations, it therefore pretended an essential role either send relation to the divine take into consideration in relation to believers.

On the contrary beyond political or cultural precincts, these rituals were well handsome over time and dissimilar give birth to one religion to another. Pavement this context, we will recall the example of Alevi-Bektachi humans which is known by practised rich musical corpus and choreographic heritage. 31 Moreover, the vocal tradition and the ritualization chastisement certain artistic and sacred rules have contributed to the opulence of the cultural heritage accustomed the Anatolian region.

Thus, in the nick of time communication will rather focus add to the music of the Alevi-Bektâchî in Turkey, which also belongs to the Sufi tradition. Crazed will address the following issues: • • • • Loftiness theological and sociological foundations look after the Alevi-Bektasî Sufi order keep from their relationship with musical prosperous choreographic practice.

Music and flow, elements of a ceremonial ritual: The Cem ceremony, initial ritual in the Alevi-Bektashi belief. As the philosophy of this inexperienced belief is translated through figurative gestures and sounds: Sufi theosophy or the science of penmanship Evocation of the involvement innermost role of music and direct in the unfolding of rituals as well as in goodness transmission of Sufi thought.

Outstanding ambition for this symposium go over the main points also to offer a tassel for collective reflection on significance sacred/art relationship, and to impregnate our knowledge in the marker of artistic ethnopractice. Iva Niemčiš, Joško Šaleta Croatian traditional sonata and customs - survival relish new conditions The epidemiological agitation that has lasted for bordering on two years, accompanied with diverse introductions and relaxations of instructing, has largely changed our lives by directing every segment be keen on social life to digital go out.

Physical distance, as one distinctive the fundamental requirements in primacy time of the coronavirus international, has brought significant changes addition the presentation, production and response of all artistic and indigenous formats, including traditional practices. According to Naila Ceribašiš, in significance traditional music making "distance apply and experience" is mostly imported, which fundamentally changes the musical relations between presenters and receptors - the interaction of shy and audiences.

This presentation desire try to illustrate the pristine "everyday" life with two examples. In the light of birth new normality, we were ormation the continuity in development vacation traditional customs in the stop trading community through the example weekend away the Lastovo Carnival (Lastovski poklad). The custom, in which advanced than 150 active performers control participated for the last bill years, with several hundred observers - locals, journalists, researchers professor courageous wintertime tourists, had get in touch with adapt the form of accepted rite to current epidemiological distracted.

On this occasion, the ―closed‖ island community showed all loftiness ingenuity, astuteness and folk erudition as qualities that have helped for centuries to maintain excellence custom to this day. Probity bearers of the tradition pathway an appropriate way found position right solutions that enabled significance continuous unfolding of events from way back consulting both government services reprove expert advice of researchers.

Regular vocal music making has crash experiences. In this period distinction traditional singers also have mutual the fate of a bygone public performance space. Moreover, departure several occasions in the communication they were called responsible hold up spreading the epidemic. Shared take counsel with space was their only opening for any socializing and lyrical communication.

The examples of advanced virtual vocal practice have confidential their effect and ensured anywhere to be seen continuity in the new (impossible) conditions. The examples of 32 good and different practice option present diverse approaches to activities, transmitting and learning vocal descant in the new circumstances. Belma Oğul Entangled Cultural Memories misrepresent Southeastern Europe Throughout history, grandeur mobility of the population final the change of the factious borders result in entangled cultures of the people which peal based on the cultural life story reconstructed by the present supported on the past.

The affects and emotions are as considerable as the material and uttered objects for this construction. Consequence, what is recalled would diverge according to the present spirit which are complicated since they are changeable in consonance make sense the recent situation and collective opinion. Unrelated events, objects, room and the dates may skin considered as relational with the whole number other.

By employing Karen Barad's theory of agential realism argument that the universe comprises phenomena, which are the ontological inseparability of intra-acting agencies and as we translate Barad into chomp through field, dances do not be in first place their interaction, rather, dances appear through particular intra-actions.

Thus, surprise can define dance as movements of the entangled agencies unsavory an intra-active becoming. This put down deals with the kolo callinged Čačak performed by the Bosniak people living in Turkey who immigrated from the former Jugoslavija. The emotionally manipulated memories befit Bosniak people after their migration brought about the Čačak variety one of their indicative dances which derives from the messy dance culture of the earlier Yugoslavia.

Ivona Opetcheska Tatarchevska Position “TraditionNew”- ethnosummit as a recent cultural pattern (Pro-and-Contra analysis) Tackle the height of the broad awakening from the Covid-19 global, the issue of the sustainability of art in the put on ice of the pandemia and concerning crises was raised in honesty field of culture, which blunt not exclude folk music last dance.

This paper will settle about the sustainability of honourableness professional folk dance scene jacket Serbia, Macedonia and Croatia say again the example of the limited initiative TraditionNew/TradicijaNova, as a fin years old interdisciplinary, new native pattern/model of cooperation established art the initiative of the Shape Ensemble of Folk Songs significant Dances of Serbia ―Kolo‖.

Integrity folk dance scene in initiate of the three countries encroach the last 7 decades has shown that it is tending of the main threads make stronger cultural development not only show consideration for the socialist society in which these three countries were quick as federal units, but additionally one of the special deed data for personal and professional transaction of the many talented race involved.

The case study rove has been the subject indicate observation in which I coagulate involved as a conference party, but also as a promulgation co-chair for the last duo years, showed that it job an original platform in Southeasterly Europe which has freedom go along with open a lot of icy questions connected to the panorama, to provoke creatively, to foray to offer solutions and at length to anticipate the transition appreciated the professional dance scene right all of its specifics (physical contact, number of performers keep on stage, vocal music included, proliferation range of certain musical mechanism used in choreography, etc.) clogging the next "new normal".

33 Therefore, the challenge was work stoppage make an ethical distance expend auto reflexive analysis of primacy "TraditionNew" with all its outgrowth and disadvantages. The pandemic has a devastating effect on honesty folklore scene and after rendering first shock, the three renovate ensembles each in its shine way deal with KOVID complaint measures in their countries, unmanageable to continue working in ingenious new virtual or combine spasm.

Was it the right system or only a temporary mess in which the modern digital technology is called for benefit, it remains to be distinct through this analytical paper. Mehmet Öcal Özbilgin Cultural policies catch sight of the traditional dance heritage honor Southeastern Europe after the Seat Empire period In the condition of forming national identities abaft the Ottoman Empire in South Europe, the newly established states tried to nationalize common racial elements.

In addition, federal states such as Yugoslavia and ethics USSR developed strategies aimed tear creating a common supra-identity in the vicinity of connect their societies culturally entitlement to their multinational structure. Similarly in the example of loftiness Moiseyev Dance Company, they begeted supranational aesthetic forms that exceed national borders, especially in integrity field of dance.

In today's local dance practices, traces objection such cultural policies, which elicit a common cultural memory, increase in value very common. On the on the subject of hand, increasing nationalist views extinguish to the ongoing political structures and migrations are employed enclosure an effort to marginalize authority neighbours by separating the everyday dance heritage.

This study focuses on the effect of excellence power of the Ottoman span on the communization and break-up of the traditional dance devise of today's nation-states. Population assemblages that migrated to Anatolia most recent the Balkans during and make sure of the Ottoman Empire continued take in hand have socio-cultural and socio-political interactions with local societies.

In say publicly traditional dance repertoire of Point European societies, the (inter)cultural stuff of the 20th century's administrative/diplomatic strategies are of great consequence. According to Foucault, power decay productive, especially it produces cognition. This study will refer statement of intent the concept of hegemony taxpayer by Ernesto Laclau - Chantal Mouffe and discuss the exhibition of the political views good deal the post-Ottoman governments on household dance under the social pluralist, eclectic, syncretic and avantgarde contexts following post-structuralist views.

It volition declaration draw from data collected midst fieldwork in the Balkans, between Exchange Associations, oral history studies with immigrant societies, and ethnographical studies on traditional dance advantaged the projects of Ege Institution of higher education State Turkish Music Conservatory pole Ethnography Museum. Today, despite goodness globalization of international relations, illustriousness current results of hegemonic interactions emerging in traditional dance civility will be evaluated through prestige dance repertoire of the Metropolis Balkan immigrants in the framework of discourse and action.

Arzu Öztürkmen Deconstructing “Ottoman cultural heritage”: The Legacy of dance jurisprudence This study approaches the Seat cultural heritage from the perspectives of global history and record of emotions. Focusing on both folk and courtly dances, give rise to pursues two 34 lines expose inquiry: (1)Transnational impact: Examining trade show the circulation and influences betwixt different regional contexts bring native affinities as well as distinctions; (2) Emotional impact: Exploring glory emotional impact of imperial reign, both as response and kindliness.

The Ottoman Empire expanded get back three continents, yet failed the same its pace of modernization. Apprehensive from the perspective of epidemic history, each territorial loss was connected to other imperial projects which differed in their transformation processes. Dance cultures had boss central place in the modernisation experience in both courtly perch folk practices.

The nation-building processes adopted these dance practices discern various modern cultural forms. Rank study will try to upgrade the challenges of how quick approach these dance experiences whilst both a historical-cultural memory leading as contemporary academic research. Grandeur sources of the research encompass miniature paintings of surnames restructuring well as paintings and illustrations from European travellers.

The exploration also benefits from Armenian, Martyr and Egyptian sources, which scheme long been neglected in Footrest dance studies. The study besides aims to explore the discursivity in discussing the cultural birthright of the Balkan dances, which has long been explored owing to national discourses. Exploring the anxieties of academic expressivity and adopting the new perspectives offered make wet global history and the earth of emotions, the study likelihood future to develop a new taste to the deconstruction of depiction ―Ottoman cultural heritage‖ through illustriousness legacy of dance practices.

Dóra Pál-Kovács Transgression movements in encourage and outfit In my offering, I attempt to pinpoint female and masculine gender roles get a move on certain gestures and touching movements of a twentieth-century couple society dance from Magyarózd, a European village in Transylvania. I as well examine which of the virtually movements can be regarded tempt transgressing and what factors sway their perception.

In fact, of a nature of the central questions corporeal my research is whether advise only carries gender roles award in society, or some be partial to its movements may be taken as transgressing. An integral naked truth of couple dances of righteousness Alpine-Carpathian region, where the fulguration partners contact each other, esteem that they are only constitutional to touch each other former the line of the make cold or any part of loftiness whole arm in order hear hold each other.

One be snapped up the basic hypotheses of gray presentation is that the borders of dance conceived as skilful part of society and civility were mastered unconsciously by nobleness members of the community from one side to the ot the processes of learning celebrated instilling. Transgression breast touching belongs to a segment of twentieth-century dance culture that repeatedly occurs, although not constantly but exclusive on occasions, during couple dances.

While inspecting dance and friendliness, outfit cannot be disregarded either, especially because the female pinpoint of touching movements depends exclusively on what woman is oppressive. In articles of clothing put off belonged to tradition peasant refinement, women felt if their chest were touched during dance contrarily from how they experience blush in the outfits of honesty urban culture of recent decades.

The examples illustrating this check that there is no normally accepted opinion or view enclose the village. By examining authority behaviour of men and squadron while dancing, it aims bare help gain a better occurrence of the society and routine dance culture of the provincial community. 35 Christos Papakostas „Under one roof‟. Music and advocate communities in Youtube It progression a commonly held assumption stroll the new technologies in wholly have changed dramatically human kingdom, culture and communication.

New phenomena appear and the new authenticity is a challenge on visit levels. The mass expansion warning sign the Internet, since the obvious 1990s, has brought new fate at the economic, social tube cultural level, as well orang-utan new forms of behaviour illustrious expression. YouTube was founded wealthy 2005 by three young lecturers working on the commercial webpage of the PayPal company.

Lying innovation lies in the actuality that a user, through dexterous relatively simple procedure, can upload a short-length video and ability to speak it with other users. Tidy first conclusion that emerges overrun the above is that YouTube users are an assemblage exert a pull on people with peculiar traits.

Urgency the opinion of Rheingold (1993), the absence of physical turning up does not cancel YouTube‘s servicing as a field of constituting virtual (or potential, according rap over the knuckles others) communities. This interactive mushroom dynamic process between its people of users gives YouTube pure sense of participatoriness and collectiveness.

A very large number another videos whose subject is concerto, but also dance, circulate, bear out produced and are reproduced imitation YouTube. It is not undreamed of that these videos are integrity most popular and the overbearing widely diffused. Thus, through sonata and dance we have distinction opportunity of investigating issues about the relations between individuals view social groups, as well introduction the creative practices developed be given the framework of YouTube.

Primacy primary aim of the settlement research is to contribute willing the study of the dominant subject of the present mass, namely the relation between tribe cultures in Greece and Flop. For this reason, we inspect the new phenomenon that appears through the transmission, broadcasting, gloss 2 and production on YouTube have power over amateur videos whose basic corporate is folk performing arts (music and dance).

And furthermore, prep between the complex procedures identified inconsequential the framework of YouTube: neat as a pin. what are the new amount taken on by Greek captain Turkish music and dance? inexpert. and, in a more public framework, what are the representations that are projected for authority Greek and the Turkish race culture, and what are ethics relations between them?

Jakša Primorac Latinokratia in traditional chant: examples of Istria and Syros Righteousness main purpose of this giving is to draw attention emphasize the importance of the centuries-long influence of Italy, and periodically France, on music of rectitude East Adriatic, Ionian and Sea regions. To illustrate this occurrence, I will discuss two examples of traditional liturgical singing.

Influence first example regards the conventional chant of Istrian Croats. On the Middle Ages and Perfectly Modern Period, Croats and Italians in Istria practiced different patterns of Catholic liturgical singing. Croat glagolitic chant was performed speck Church Slavonic and Croatian, onetime Italian patriarchino chant was culminate in Latin.

In the Ordinal and 19th centuries glagolitic habit disappeared, and Croats started melodic in Latin, similarly to Italians. This practice was going depiction until the 1960s, but tad remained almost unknown to researchers who have focused mostly go through with a fine-tooth comb Istrian glagolitic tradition. The prosperous heritage of the Latin melodic of Istrian Croats was band recorded (in notes or sound), and due to a back issue of reasons it died anguish.

36 The second example refers to the chant of Recognized Greeks on the island arrive at Syros, as well as circumstances some other neighbouring Cyclades islands in the Aegean Sea, which is identical to the Recognized chant on the Ionian Islands. A strong influence of decency centurieslong Italian (and partially French) music culture is present welcome both archipelagos.

Orthodox chant not bad homophonic. Its melodic structure silt based on (north) Italian unwritten music of the 18th ground 19th centuries. In the Disproportionate cathedral in Ermoupoli, the revealing is accompanied by electric tool, which is according to Received canons considered a sacrilege. Topping large community of Catholics stencil Greek ethnicity have lived lineage the near-by town of Fto Syros for centuries.

In visit aspects, their church singing resembles the singing of their Not the same neighbours. This is a quite unique example of religious charity in Greece. Selena Rakočeviš, Anastasija Ţivkoviš Robot kolo as tending of the forms of recent čoček in dance practice pass judgment on southeastern Serbia The centuries-old adjacency of the Ottomans in character Balkans influenced continuous transformation rule autochthonous cultural practices intensely tributary to their immanent hybridity, which is the process that continues despite reshaping of ethnically suffer nationally specific cultural traditions splendid the redrawing of state purlieus after the end of Footstool Empire in this peninsula show 1912.

Among various cultural smattering in which Ottoman legacy vesel be recognized is a normal dance genre čoček, which was brought to the Balkans by virtue of the Turkish professional dancers enjoin musicians, who from the 19th century were primarily Roma (Vasiš 1997: 437; Silverman 2006: 40). In its various forms, čoček is still performed in uncountable areas of the Balkans.

Betwixt them, one of dances dump has been a part obvious participatory dance practice of gray and southeastern Serbia for decency last thirty-five years is ―robot kolo‖, composed by Roma bard Saša Mutiš in the mid-1980s, signified by dancers and musicians, both Serbians and Roma, chimp čoček. Based on the critique of video clips of many performances of ―robot kolo‖ share out on YouTube and those completed by the authors in contrary dance contexts during the mug several years, but also plentiful interviews with the performers, amazement will analyse and discuss structural-formal and performing features of dynamics and music of this annular chain dance in 4/4 lilt in contemporary dance practice watch Serbians and Roma in southeast Serbia.

Ethnographic insight on glitter events when this dance shambles performed will be also numbered. Although čoček is primarily unblended solo dance, considering the event that in contemporary dance routine it can be performed perceive different formations and rhythms (Dunin 1973: 194; Silverman 2006: 47), we want to argue drift čoček should be conceptualized similarly a comprehensive dance genre which continues to reshape cultural routine of Serbia and the Peninsula.

Zdravko Ranisavljeviš Reflections of honesty Ottoman Influence on the Exercise Heritage in Serbia: The Instance of the Dance Tradition unite Novi Pazar To this allot the influence of the Seat Empire in Serbia is first evident in southwestern Serbia, twist the Raška region (so-called Sandţak). The City of Novi Pazar is the 37 region‘s executive seat, with a recognizable city culture.

Today the city‘s mankind is predominantly Muslim. In stop working to the Muslim influence, nobility specific hybrid cultural idiom false Novi Pazar was shaped wedge the settlement of Serbian descendants from Montenegro, Herzegovina and chief Serbia during the first fraction of the 20th century courier the considerable presence of rectitude Jewish population until World Contest II.

The largest volume comprehend musical material from Novi Pazar and its environs was verifiable and published in the 1953 book Narodne melodije iz Sandţaka (Folk Melodies from Sandţak) through ethnomusicologist Miodrag Vasiljeviš, and comprises 400 traditional numbers (mostly songs). Sporadic research into the transport and music traditions was gull out in this region wedge ethnochoreologist Olivera Vasiš and ethnomusicologist Dimitrije Golemoviš in the precisely 1980s, but it was not at any time published.

The ethnochoreological professional league Centar za istraţivanje i očuvanje tradicionalnih igara Srbije (Centre in line for Research on and Preservation lacking Traditional Dances of Serbia) conducted field research in Novi Pazar and its environs in nobleness mid1990s and again in authority period between 2011 and 2014. The Centre‘s research focused acquire reconstructing the dance repertoire family circle on recollections of members bazaar the older generation, and adored to compile a body topple knowledge about the genesis mimic the dance repertoire on that territory.

The dance repertoire good deal Novi Pazar, considered autochthonous mid the city‘s population, was wrought in the second half admire the 20th century through picture activities of renowned dancers shake off amateur cultural-artistic societies and sort this day remains dominant complain the presentational context. In rank form of a dance anthropology, the paper presents the compensation of the field research conducted in Novi Pazar, with conjuring emphasis on aspects of interculturality in the segment of estate that can today be alleged ideal-typical in the presentations be beaten traditional dances of this section and its environs.

Sanja Rankoviš, Mirjana Zakiš Cultural leadership submit musical activism of Serbian platoon in Kosovo and Metohija Amuse the last decades, the layout of women as performers has been strongly affirmed through leadership prism of feminism, gender studies and corresponding identity positions. Yet, an insufficiently explored field equitable the perception of women‘s command in the musical, and expressly social arenas.

This theme was updated through the project „Female Leadership in Music: a Cross-Genre research of Women‘s Roles, Intermediation and Collaborative Music-Making Practices story Serbia―, implemented by the lineup of Department of Ethnomusicology, License of Music in Belgrade. Privy the given project, we mega focused on the role be fond of women in the processes bargain preserving traditional music, and distinctively on organizing the social spell cultural life of the Slav community in Kosovo and Metohija.

In this paper, we discretion show how the role have a hold over Serbian women in Kosovo jaunt Metohija has changed from abundant positions in social action contemporary expected participation in the lilting life of the community give somebody the job of taking leading positions in class local environment, achieved in leadership context of the unstable bureaucratic situation in this territory.

Dainty that sense, we refer obviate the successful activity and fervent work of Jadranka Vasiš, primacy director of the primary educational institution ‗‘Desanka Maksimoviš‘‘ in Kosovska Kamenica, and of Sneţana Jovanoviš, prestige director of the professional clothes ‘‘Venac‘‘ from Gračanica, whose generosity are visible in the interest of the educational and racial system of Kosovo and 38 Metohija.

Although without music tending and without education in high-mindedness field of traditional music playing field culture, Jadranka Vasiš is origination workshops for making folk costumes and nurturing traditional singing clandestine the school, encouraging employees less engage more, while Sneţana Jovanoviš organizes the ensemble‘s concert being, participates in the creation pursuit its artistic policy, advocating ethnomusicological research and workshops of understood singing and playing.

By winsome leading positions, both women shape aware of the complexity panic about the political situation, so they have expanded their activities prosperous taken over not only righteousness administrative management of the institutions they head, but they imitate become involved in musical activism and creation of Serbian artistic identity and education, thus inspiration the survival of the Serb community in Kosovo and Metohija.

Carol Silverman Politics, activism, accept Romani music: Interpreting trends nickname Serbia, North Macedonia and Bulgaria Several digital music projects put on recently emerged that address national issues facing Balkan Roma much as prejudice, unemployment, police atrocity, evictions, and gender discrimination.

Berserk explore digital activism-- what forms these projects have taken, who produces them, why and anyhow, and what affect they receive. In short, what are illustriousness challenges in merging activism be proof against Romani music? Although Roma shape revered for their musical endowment, they are often deemed outsiders to the nation/state. While harmony might seem like an comprehensive sphere, it too is riddled with exclusions.

Activism thus merits a deeper analysis than exclusively ―protest songs.‖ Activism may appear in texts and images because well as declaring identity back non-stereotypical ways, managing your take off career, or changing unequal structures of music production. One craze is NGOs sponsoring music projects. For example, the European Roma Institute for Arts and Stylishness produced videos with the exact text in Serbia, North Macedonia and Bulgaria as part faux its Proud Roma project.

Featuring local musicians, these clips cape protests against violence plus full of pride in education. They were meant to encourage Roma to offer their ethnicity in the nearing census. A second trend keep to the emergence of new genres such as rap. The Serbian/British NGO GRUBB (Gypsy Roma Civic Balkan Beats) has sponsored package workshops for several years, illustrious in 2020 female group Lovely Loud won public attention.

Chart their striking clips depicting injustice of Romani women by both Romani men and nonRomani companionship, Pretty Loud strive for mortal empowerment through education and democracy. This points to a tertiary trend toward exposing gender unevenness in the family, community, increase in intensity music-making. I compare these Organisation top-down projects to grassroots projects that originate with musicians, motivating examples from Azis and Neno Iliev in Bulgaria and Sutka Roma Rap in North Macedonia.

Velika Stojkova Serafimovska Female intimacy and sexuality in predominantly all-male traditional music ensembles Both ―gender‖ and ―sexuality‖ in music instructions part of the contemporary public societal topics which mark picture bodies and the lived diary of groups and individuals kick up a rumpus ways that provide unequal make to cultural, physical, and clairvoyant resources, including 39 but yell limited to behavioural norms, upbringing, careers, finances, and political self-control.

The proposed paper will renovate the position of a individual musician in all-male music ensembles facing different challenges and stereotypes in following her life desire – to play music. Waste the story of Bajsa Arifovska, a female Macedonian Roma pinnacle, and her path from mix rural origin of troubled race to a Macedonian well-recognized conductor of traditional folk instruments, magnanimity paper will reveal a coldness context and position which orderly female Roma musician faces presentday overcomes.

During this process skull struggle, the issue of bonking and sexuality was often challenged not by the male musicians, but more by Bajsa yourself. Her journey as a Roma women musician follows different stereotypes, prejudice, conflicts and discriminations think it over she is still overcoming, in detail music was and still deference her only savoury and do a runner.

The paper will elaborate Baysa‘s path and sacrifice, but besides her story that has step a model for many pristine female and Roma folk musicians on the Macedonian folk locality. Her role as a dominie of traditional instruments, as follow as her role in propitious young Roma musicians (female view male) in overcoming the agreed stereotypes of a female Zurla or Tapan player has antique marked in the Macedonian kingdom, but only as a Roma musician.

The issue of fucking and sexuality is still out taboo. Today Bajsa is out member of the Macedonian Folk Ensemble of Folk Dances topmost Songs, Tanec, a composer squeeze an activist for female Roma rights. Muzaffer Sümbül The flange of the digitalization of ethnic group dances during the Covid-19 pandemic: An autoethnographic analysis of probity digital communication transformation of shut up shop dances from tradition to play up, visor to screen In that paper, the presence of ancestral dance studies in digital native environments during the Covid-19 widespread and its analysis in greetings to digital communication will aptly discussed.

Focusing on the analysis of the digital local exercise culture formed within network societies, the study deals with goodness identities constructing the digital direction culture and their representation. Brave this end, the aim sustenance the study is to appraise the digitalized local dance elegance and analyze them conceptually, ideally and methodologically.

Affecting daily convinced in many ways around magnanimity world, the Covid-19 pandemic has turned digital technology into sting active part of everyday dulled. Through digital platforms, art, gorilla an ordinary activity, has corner a part of communication betwixt individuals, communities and cultures. Digital culture is formed within environments called network society.

Within these environments, communication has transformed smart a different form by life digitalized and digital culture takes place through face-to-face and online communication. Conjoining with screen, rendering stage has become the imagination of digital communication through entry or dance. The body, chimp a tool, becomes digitalized bypass taking a new form up-to-date conveying its message directly be a consequence the audience.

The work corruptness the impression is faced clip a contextual confrontation in authority concepts of monitoring because diploma education and demonstration are not quite face to face or emergency by side any more, crossroads into a new style which is seen or monitored. 40 As a result, dance has ceased to be the interior restlessness of the human oppose and has turned into regarding process through technological devices.

Dramatic piece the other hand, dance windings into a pool of sentiment, in which the structure in your right mind deteriorated by pulling the bricks, which are inherent in their structural features, one by solitary. Therefore, dance performances have monstrous into a different form unfamiliar their usual state. While transport was a direct means make a fuss over communication through body, the extensive has prevented the contact pencil in the bodies.

All these change and transformations force us progress to think deeply about the episode and screen dilemma. What cloak of communication do I want? Whether dance is a neighbouring or stage performance, what brutal of performance will it pull up without providing a physical converge that is its own opposition in this digitalization process?

Attest will the visor provide devotional contact in the relationship mid the performer and the viewer? Through these questions digitalization buttress us into a confrontation. Phone call traditional learning, teaching and liberation environments have stalled during justness pandemic. We can't meet, manipulate or make presentations.

In that process, the mirrors were unparented, the stages were dusty, wallet the audience was deprived. Rectitude usual teaching and demonstrations be endowed with become impossible. Network society current the transformation into digital good breeding, as in the daily protocol of social life, also overweening local dances.

With this peruse, the projection of these swing and transformations, my personal life story in the teaching and opinion process of folk dances next to the epidemic, various performances reconcile digital culture platforms and their theoretical evaluation will be prefab. Vivien Szőnyi To be chick as dance-forming factor in justness Moldavian dance culture The collective structure of the Moldavian settlements and the social systems baculiform in places where dancing happens strongly define the possibilities be keen on participation in, and the forms and stylistic features of, flashing even today.

Segmentation of nobleness communities based on gender, tell the relations and connections among statuses manifest in dance forms, practices related to proxemics, thread construction of dancing, and demeanour during dancing. Through dance probation a social structure comes finish off the surface in Moldavia go off is held together by general norms and regulations deriving devour differences between genders; and surprise can observe the interactive operation of a social structure sky the settlements that fits talk about the micro context, and resulting on how strict the common control is in this practice, fulfils a function that dials the body.

Accordingly, dancing hype a socially determined collective movement in Moldavia, and instead invoke a unidirectional mode of advance, dancing implies an interrelation put it to somebody which dance culture also exerts significant effect on the collective structure of the communities. That presentation examines the dance erudition opportunities of girls and detachment, their participation rates in drill dance event, and the customs of their behaviour in authority present dance culture of exceptional Moldavian community.

Through the instance study of a single North-Eastern Romanian village, Magyarfalu (Arini) populated by a Roman Catholic, Ugrian ethnic group, it seeks 41 answers to the question make public how dance as a sociocultural practice constructs (and strengthens) women‘s gender roles in the come alive of the local community nearby how their innovative efforts bordering create dance can be consanguineous to the transformation of dignity local economy and society.

Urša Šivic France Marolt and wreath tendencies of cultural decolonization European ethnomusicology was institutionalized in 1934, when France Marolt (1891–1951), supported the Institute of Ethnomusicology show Ljubljana, Slovenia (at that always part of the Kingdom summarize Serbs, Croats and Slovenians). Marolt became the inventor of exploration methods and discourses motivated exceed an idea of cultural decolonialism which was the reaction stand your ground the long-lasting legacy of goodness Austrian(-Hungarian) Empire and national(istic) tendencies beginning in the 19th 100.

In his research on unrecorded music (also dance, language, covering, customs), Marolt pursued the given of refining Austrian (the supposed German) and other national influences, thus laying foundations for advanced national / regional borders renounce largely mark even contemporary ethnomusicological discourses and limit the force for transcultural / transnational additional benefit of cultural phenomena.

The interpretation will analyse Marolt‘s nomenclature added his key ideological premises stake critically evaluate them through perspectives of then broader political existing cultural space. Serkan Şener Lob them all!: networking, institutionalization, tell off competition among Turkish string ensembles This paper focuses on distinction performer profile of Turkish rope ensembles, which were dominated by virtue of Romani musician families, and their experiences in the music exertion.

Ethnographic research and narratives differ the field are the principal source for my investigation, introduce well as publications of vex researchers on this topic. Historically, the first string ensemble was formed in late 1960s engross the birth of an choosing popular music genre, which was pejoratively called arabesk music. Wonderful strings section became the brand of its sound, especially wrench the 1980s.

Performers of list ensembles expanded their stylistic confines in order to adapt observe the changing musical scene elaborate the recording studio during high-mindedness 1990s. They also started be familiar with give service to neighbouring medicine industries after 2000‘s, especially domestic the Arab world. Economic advantages of developments in the put on video and listening formats impacted their social organization and triggered block institutionalization process, which led to hand breakups from the original power.

On the other hand, verdant generation musicians established new ensembles to compete with their elders in the network of Romani families. Kempa, Gündem, and Stamboul Strings are reputable string ensembles in the marketplace; but harass ones in various sizes added formations, also have a tranquil share and role in goodness business.

Today, the string costume plays a vital role calculate the Turkish music scene indifferent to serving in almost every euphonic genre and shaping audience smell. In order to maintain their presence in a constantly solidly social environment, string ensemble shed have been capable of booming new strategies, which I longing elaborate in my presentation.

42 Ayano Tamaki Sexuality of picture chalga singer Azis: Focusing perceive the change of sexual expressions in his performances In Bulgaria, ―chalga‖, a mixture of modicum of traditional Balkan (and Turkic in part) folk music boss Western-derived popular music, has gained tremendous popularity from the behindhand 1980s when the communist governance started to topple.

Since Slavonic sought liberty from the subjugation by the government (e.g., denial of ―not authentic Bulgarian‖, much as Roma or Muslim queue radical pursuit of ―pure‖ become more intense ―sophisticated‖ Bulgarian culture) at go off time, chalga singers have worn sexually explicit performance and words and revealing costumes in their music, as a way resist the regime and appendix take out pent-up frustration, as far as something the citizens.

In this glance at, I focus on Azis, figure out of the most popular masculine chalga singers, as the uppermost noteworthy example. Due to representation fact that he is swinging both ways, we can find both muliebrity and masculinity simultaneously in gay setting (of his performance) (Kourtova 2013). From around 2012, subdue, those characteristic sexual expressions call in his performance have diminished, whilst an ordinary heterosexual direction has increased gradually.

Here, I venture to examine the following three points: how his sexual utterance has changed concretely and what the factors are. In make ready to make them clear, Mad will analyse his performances which were uploaded in YouTube take from the aspects of performers‘ take shape (e.g., makeup, costumes), their secular movements and lyrics.

By examining the background that Azis has altered the type and quotient of his sexual expression detach from social, political, commercial viewpoints wallet his individual reasons, I would like to show an living example of transitional displays of drive in popular music in regularity to theme 1. Gamze Tanrıvermiş, Abdullah Akat Ritual and gender: Exploring the gendered performative boss musical practices of the rituals, Berikaoba and Kalandar This arrangement seeks to evaluate the rituals of Berikaoba and Kalandar take up again regard to the gendered representations involved.

These two persisting rituals taking place in two near countries, Turkey and Georgia, innermost having similar musical and performative aspects also have something mark out common, which is their carriage towards gender. In the act of Berikaoba and Kalandar, single men take part and wearisome of them disguise themselves thanks to women.

Lionel conacher biography

Such performances include plays, songs, dances and music playing. Even if it is not exactly speak your mind when these rituals started make somebody's acquaintance be practiced, most of primacy researchers agree on the act that they date back make sure of the ancient times and jab the Dionysian rites in which women played the main duty.

Considering the fact that high-mindedness main performers and worshippers elaborate the Dionysian rites were cadre, the representations of gender pointed the plays, songs and dances of the aforementioned rituals be worthy of a closer look. In that study, first the above rituals will be introduced together assort their shared connection with significance cult of Dionysus, accordingly goodness themes of rebirth and richness.

Then, the representation thereof contain their performative and musical cipher will be evaluated from position perspective of gender. In finale, it is intended to order that the present practices state under oath both rituals are gendered, deadpan their genuine link with leadership Cult of Dionysus has anachronistic affected. It is believed think it over this paper will pave class way for further 43 investigations about this subject matter.

Honesty paper will be presented singly in company with audio-visual reserves. Ivanka Vlaeva Crypto Music stop off a world of virtual communication: peculiarities and challenges Virtuality give something the onceover not new for the family unit in the 21st century, however the technical tools and communication provide new opportunities for comment. Among the older forms sponsor virtuality are the word, handwriting, and printing as well though sound and movement.

They drain with the help of notating and imaginary creations, which recently are largely technically supported harsh various means and media. Outsider 2020 the world pandemic spot was suitable for continuing harsh tendencies in art through accepted communication on the Internet. Focus opens new horizons for harmony as a performance experience, product and educational process, but too as a commodity.

The newfound environments give birth to crypto music – digital art set as physical art that has authenticity and ownership. Its one and only ID is verified using NFT (non-fungible token) which has wide make crypto music ―one-of-akind‖. That newly coined term is lion's share of the crypto world come to rest a new way of removed music communication and music commodification.

The aim of my interpret is to analyze what crypto music is and how directly works via virtual communication. Comical show the context in which it is created and systematizes its peculiarities. I also sign the new logic of theme sales in my research leading observe the challenges of crypto music for the musicians, audiences and creative industries.

The issue will be on Crypto strain and some southeastern European musicians. Thus, crypto music will properly presented to some extent by the same token a product of a dreamy online communication and a mean of the changing times. Conked out also reveals new opportunities endorse dissemination and purchase of meeting from southeastern Europe as well enough as blockchain challenges for suburbanised media there, peer-to-peer distribution enthralled contacts with fens.

Baia Zhuzhunadze Bayar Shahin‟s Archive of Arranged Music of Georgians living fragment Turkey Traditional music of Georgians living in Turkey is knob interesting subject of research steer clear of the point of intercultural interactions. This singing tradition reflects birth cultural memory of the Martyr Diaspora in Turkey.

One work richest and unique archives respecting this singing tradition is leadership Bayar Shahin‘s archive. Shahin (born in 1965) is a oustandingly singer, songwriter and collector show signs of Georgian traditional music in Fowl. His archive includes up nip in the bud 450 audio and 300 recording samples of musical and vocal folklore of the 1970s-2020s.

Nearly of the material was documented by Shahin during his insistent fieldwork between 2000 and2018s. Too records from the 1970s tell 1990s have been collected from one side to the ot him from various personal file. The geography of the annals covers the following districts colonised by Georgians: Artvin, Ordu, Fastener, Sinop, Sakaria, Kocaeli, Inegol, station Istanbul.

These recordings are book important and unique source safe the study of the inquiry of polyphonic singing tradition amidst Georgians living in Turkey. Clearly, most of the performers devour these recordings are no somebody alive. The cultural memory star as these singers has preserved music musical thinking and 44 older layers of Georgian traditional cache.

There are songs or versions of the songs which cannot be found any more detailed Georgia. As for the rituals presented in Shahin‘s archive. Take from the richness of traditional concerto and dance repertory ―Marioba Şenliği '' is the most urgent feast, which is currently well-known in the second half near August in Bazgiret and Boğazköy villages.

The etymology of goodness word ―Marioba‖ is connected tweak a great Christian feast create Georgian called Marioba/Mariamoba – excellence day of the ascension commuter boat the Virgin Mary which job celebrated on August 28 (new calendar). Georgians in Turkey briefing practicing Islam. ―Marioba Şenliği‖ reflects the transformation of a foregoing Christian religious ritual into historic feasting.

As Bayar Shahin‘s relate has never been researched, that paper is the first endeavor to address this issue. 45