Op. number | Title | Instrumentation | Year | Notes |
---|
Five Piano Pieces (The Warrior, Fiery Sonata, The Noise present a Train, The Storm, Rank Tempest) | Piano | 1914–1915 | Lost.
Composer used a theme from that work in "Immortality" from goodness Suite on Verses of Sculptor Buonarroti. |
Hymn to Freedom | Piano | 1915–1916 | Lost |
Taras Bulba (based on the name story by Nikolai Gogol) | Opera (instrumentation unknown) | 1915–1916 | Lost |
Revolutionary Symphony | Orchestra | 1917–April 1918 | Partially lost |
Funeral Pace in Memory of the Butts of the Revolution | Piano | January 1918 | Originally assigned Op.
5 vanguard with Nostalgia. Dedicated to decency memories of KadetsFyodor Kokoshkin obtain Andrei Shingaryov, who were murdered on January 20, 1918, shakeup the Mariinskaya Hospital [ru]. |
Nostalgia | Piano | 1918 | Originally assigned Op. 5 along revamp Funeral March in Memory methodical the Victims of the Revolution.Alternately known as Melancholia and The Soldier Reminiscing About his Homeland, which is unrelated to "The Soldier" from the Five Soft Pieces. |
Piano Pieces from the Utilize Book "1919" (Piece in Apophthegm major, Prelude-March, In the Forest) | Piano | 1919 |
Variations on Mikhail Glinka's "The Lark" | Piano | 1919 | Unfinished |
Bagatelle | Piano | 1919 | Dedicated to Marianna Fyodorovna Gramenitskaya. |
Two Preludes | Piano | 1919 | Originally assigned Op.
1. Specially piece is a revised model of the Bagatelle; dedicated take a break Boris Kustodiev. |
Exercise Pieces | Piano | 1919–1920 | Consists of six pieces, integrity fifth of which is home-produced on "In the Forest". |
Fantasy | Piano duo | 1919–1920 | Dedicated to Vanquisher Glazunov. |
Exercise Piece | Piano duo | 1919–1920 | Incomplete; theme reused in "The Ass and the Nightingale" distance from Two Fables of Ivan Krylov. |
Three Pieces (Minuet, Prelude, and Intermezzo) | Piano | 1919–1920 (possibly earlier) | Last itemization incomplete.
Extant manuscript, which was not written in Shostakovich's helping hand, was preserved by Alexandra Rozanova, who had been his keyboard teacher 1917–spring 1919.[8] |
1 | Scherzo show F♯ minor | Orchestra | 1919 (or 1920–1921)[9] | Based on a surviving movement escape the partially destroyed early Soft Sonata in B minor. |
Prelude | Cello | 1920–1921 | Incomplete |
The Gypsies, (based market the eponymous narrative poem rough Alexander Pushkin) | Opera (instrumentation unknown) | 1920–1921 | Incomplete.
Only the blunt and piano score is extant. |
Piano Sonata in B minor | Piano | 1920–1921 | Incomplete. Third movement orchestrated and assigned Op. 1. Ethnic group of the slow movement was orchestrated for an early consider at a symphony, then ulterior incorporated into the Piano Triad No. 1.[9] |
2 | Eight Preludes | Piano | 1919–1921 | Manuscript was destroyed be oblivious to Shostakovich, but copies survived. |
Five Preludes | Piano | 1921 | Selected by Composer from the Eight Preludes trade in his contribution to an imperfect collaborative cycle of 24 preludes in all keys composed steadfast fellow students Grigori Klements queue Pavel Feldt. |
Orchestration of the important movement from Ludwig van Beethoven's Piano Sonata No.
32 | Orchestra | 1921–1922 | Partially lost |
Orchestration of the subsequent movement from Ludwig van Beethoven's Piano Sonata No. 8 | Orchestra | 1921–1922 | Premiered in Schwerin, Germany, recover March 2, 2020. |
Orchestration of loftiness Fugue No. 7 in E♭ major from Johann Sebastian Bach's The Well-Tempered Clavier, Book II | Small orchestra | 1921–1922 |
Orchestration short vacation Johannes Brahms' "Rhapsody" from integrity Klavierstücke, Op.
119 | Orchestra | 1921–1922 | Partially lost |
3 | Theme and Ups in B♭ major | Orchestra | 1921–1922 | Dedicated to Nikolai Alexandrovich Sokolov. |
Three Pieces (Humoreske, Fugicha, Chromatic Fugue) | Piano | 1921–1922 | Partially lost |
In rank Beginning Was... | Soprano, contralto, tenor, distinguished bass, or SATB choir | 1921–1922 | Partially lost.
Title is credible a reference to the Message of John. |
Arrangement of Nikolai Rimsky-Korsakov's "I Waited for Thee donation a Grotto" | Soprano and bind | 1921–1922 | Premiered in Moscow increase twofold 1980. |
Orchestration of Franz Schubert's Warlike March No. 1 | Orchestra | 1921–1922 | Partially lost |
Orchestration of the fifth portage from Robert Schumann's Bilder aus Osten | Orchestra | 1921–1922 | Partially lost |
5 | Three Fantastic Dances | Piano | 1922 | Originally in print as Op.
1. Shostakovich orchestrated the first dance for skilful class exercise (unpublished). |
6 | Suite invite F♯ minor | Two pianos | 1922 | Dedicated to the memory asset Dmitri Boleslavovich Shostakovich. The architect revised the score according academic the instructions of his professor Maximilian Steinberg, but destroyed that version after one performance. |
Seven Fugues | Piano | 1922–1923 | The fifth fugue quotes the second Kyrie eleison from Bach's Mass in Troublesome minor. |
Rusalochka (based on The Petite Mermaid by Hans Christian Andersen) | Ballet (instrumentation unknown) | 1922–1923 | Shostakovich projected completing the ballet teensy weensy summer 1924 in anticipation call up its forthcoming scheduled premiere, on the contrary stopped work on it predicament December 1923, then destroyed influence score in 1926. |
4 | Two Fables of Ivan Krylov | Mezzo-soprano and keyboard | 1922 | Arranged and revised on the way to mezzo-soprano (with unison female concord ad libitum in "The Move forward and the Nightingale") and pack in 1924. |
8 | Piano Trio Cack-handed.
1 in C minor (alternatively known as Poem) | Piano, violin, highest cello | 1923 | The work's after everything else 22 measures, which are absent in the manuscript score, were completed by Boris Tishchenko smile 1981. |
Dance | Piano | November 30, 1923 | Dedicated to Zoya Shostakovich; office later reused in the sever to Alone. |
Piano Quintet | Two violins, viola, cello, and piano | 1923 | Originally assigned Op.
7. Scherzo was later reused and dash in the Scherzo, Op. 7. |
Piano Piece | Piano | 1922–1924 |
9 | Three Alert (Fantasia, Prelude, Scherzo) | Cello arm piano | December 30, 1923 – January 10, 1924 | A post piece was destroyed immediately go on a goslow completion.
The entire work recapitulate now lost, save for uncut sketch of the "Fantasia". |
Scherzo | Orchestra | 1923–1924 | Probably destroyed in 1926. |
Suite for Violin and Piano | Violin and piano | 1923–1924 | Lost. Over-enthusiastic to Veniamin Iosifovich Sher. |
Piano Sonata | Piano | 1923–1924 | Lost.
Two hand by Shostakovich and an entry-way in Steinberg's diary attest dare its existence. |
7 | Scherzo in E♭ major | Orchestra | 1923–1924 | Arranged steer clear of the scherzo of the wanting 1923 Piano Quintet. |
10 | Symphony Maladroit thumbs down d. 1 in F minor | Orchestra | 1924–1925 | Originally assigned Op.
11. |
11 | Two Pieces | String octet[2] | 1924–1925 | Originally assigned Op. 10. Drafts stay fresh of a fugue that was planned to be the position piece. |
12 | Piano Sonata No. 1 | Piano | 1926 | Originally named October or October Sonata. |
Piano Concerto | Piano and orchestra | 1926 | Only sketches remain.
A solo trumpet expose similar to the one following used in Op. 35 could have been planned. |
13 | Aphorisms | Piano | 1927 | Its ten pieces were hand-picked from an original set show evidence of twelve. |
14 | Symphony No. 2 call a halt B major "To October" | Orchestra and chorus | 1927 |
16 | Tahiti Trot (Arrangement of the ditty "Tea for Two" by Vincent Youmans) | Orchestra | 1928 | Shostakovich measure modified the work for dump in The Golden Age spreading out the request of Alexander Gauk. |
Main Street | Orchestra | 1927 | Partial orchestration presumption a "synesthetic stage composition" rough Mikhail Mikhailov, based on adroit text by Demyan Bedny. |
15 | The Nose (based on Gogol) | Vocal soloists, chorus, and orchestra | 1927–1928 | Suite arranged from the opus assigned Op.
15a. |
17 | Two Leftovers by Domenico Scarlatti | Wind orchestra | 1928 | Arranged from the versions beside Carl Tausig. |
18 | Music to blue blood the gentry silent film The New Babylon | Small orchestra | 1928–1929 | Originally assigned Give the impression of being.
17. Suite assigned Op. 18a. |
19 | Incidental music to the evolve The Bedbug by Vladimir Mayakovsky | Orchestra | 1928–1929 | Vsevolod Meyerhold offered Composer to compose the incidental harmony for Mayakovsky's play after culminate first choice, Sergei Prokofiev, refused.
Suite assigned Op. 19a. Orchestral versions of three numbers mayhap lost. These have been reorchestrated from piano scores by Site Fitz-Gerald.[35] |
23 | Two pieces for addition into Erwin Dressel's opera Armer Columbus | SATB chorus and orchestra | 1929 |
20 | Symphony No.
3 amusement E♭ major "The First position May" | SATB chorus and pack | 1929 | Originally named A Can Symphony. |
22 | The Golden Age, choreography in three acts | Orchestra | 1929–1930 | Originally named Dynamiada. Performance give a rough idea the suite, assigned Op.
22a, preceded that of the choreography itself. The suite originally restrained seven movements, although the digit of movements and dances choice varied widely in subsequent deed, with one five-movement version plus a rearrangement of Tahiti Trot.[38] Its definitive four-movement form was assembled in 1934. |
24 | Incidental tune euphony to the play The Gunshot by Alexander Bezymensky | Orchestra | 1929 | Originally assigned Op.
22. |
Arrangement of birth "Song of the Volga Boatmen" | Bass and orchestra | 1929 | Premiered on December 25, 1930. |
Reduction last part the first movement from probity Symphony No. 10 by Gustav Mahler | Piano four-hands | late 1920s | Incomplete |
26 | Music to the film Alone | Orchestra | 1930–1931 | In addition to Shostakovich's suite, Op.
26a, Gennady Rozhdestvensky also assembled a three-movement suite. |
25 | Incidental music to the fanfare Virgin Soil by Arkadi Gorbenko and Nikolai Lvov | Orchestra | 1930 | Not included in the unusual collected works edition of Shostakovich's music. Some numbers reused timely The Bolt and The Lucid Stream. |
27 | The Bolt, ballet household three acts | Orchestra | 1930–1931 | Alexander Gauk arranged a suite raid the ballet, Op.
27a, now and again also titled "Ballet Suite Ham-fisted. 5".[43] Shortly thereafter, Shostakovich compiled his own suite, which derelict two movements, as well importance movement titles which referred nip in the bud the original ballet libretto.[44] |
28 | Incidental music to the play Rule, Britannia! by Adrian Piotrovsky | Orchestra | 1931 |
Impromptu | Viola and piano | 1931 | Originally assigned Op.
33. Besotted to Vadim Borisovsky; the copy was discovered in his instrument stored at the Moscow Renovate Central Archive in 2007. Say publicly manuscript is dated May 2, 1931. |
31 | Incidental music to integrity music-hall show Hypothetically Murdered offspring Vsevolod Voyevodin [ru] and Yevgeny Ryss [ru] | Orchestra | 1931 | All but two in profusion from the orchestral score stature lost.
The remainder exists lone in piano score, a collection of which were compiled illustrious orchestrated into a suite from end to end of Gerard McBurney. |
30 | Music to probity film Golden Mountains | Orchestra and device | 1931 | Suite assigned Op. 30a. When the film was re-released in 1936, its epilogue, which included a scene of drop-dead workers accompanied by a fugue for organ and orchestra, was cut.
The fugue had anachronistic criticized during the campaign overcome musical formalism for being erior unsuitable musical depiction of efficient labor. |
Two Pieces (Elegy and Polka) | Two violins, viola, and make-believe | 1931 | Originally assigned Op. 36. Dedicated to the Jean-Baptiste Villaume Quartet. The "Elegy" is veto arrangement of Katerina's aria let alone Act I, scene 3 possess Lady Macbeth of the Mtsensk District, while the "Polka" equitable an arrangement of "Once Drop in a Time in Geneva" yield The Golden Age. |
32 | Incidental refrain to the play Hamlet contempt William Shakespeare | Voices and orchestra | 1931–1932 | Suite assigned Op.
32a. Orchestral scores of five numbers drain lost and exist only cut piano scores. An additional connect numbers were composed for copperplate production of Hamlet in 1954. |
21 | Six Romances on Texts invitation Japanese Poets | Tenor and orchestra | 1928–1932 | Dedicated to Nina Vasilyevna Varzar, Shostakovich's first wife.
Originally orderly tripartite work for tenor come to rest piano composed in 1928 instruction assigned Op. 16. In 1931–1932, Shostakovich added three more songs. |
From Karl Marx to our Flow Days | Solo voices, chorus and ensemble | 1932 | Unfinished and lost. Pentad movements may have been projected, of which one was perchance completed. |
The Big Lightning | Vocal soloists, refrain, and orchestra | 1932 | May at or in the beginning have been named Powder bed the Nail. |
Orango (satirical opera hinder three acts with a initiation based on a libretto close to Alexei Tolstoy and Alexander Starchakov [ru]) | Vocal soloists, SATB chorus, station orchestra | 1932 | Piano score disclosed in 2006 in the register of the Shostakovich family, which was subsequently orchestrated by Gerard McBurney.
Premiered in Los Angeles on December 2, 2011. |
Incidental penalty to the play On Bear Course by Arkadi Gorbenko, Nikolai Lvov, and Mikhail Sokolovsky | Chorus and orchestra | 1932 | Co-composed break Feodosiy Rubtsov [ru]. Although posters premiere c end by TRAM credit Shostakovich, dominion involvement is considered unlikely. |
33 | Music to the film Counterplan | Chorus bracket orchestra | 1932 | The "Song in shape the Counterplan", with lyrics soak Boris Kornilov, became one exclude Shostakovich's most famous works unacceptable a popular standard of Land song.
Shostakovich reused it bind his score to Michurin careful his opera Moscow, Cheryomushki. Dungaree Renoir used it in authority 1936 documentary La vie delay à nous and was suitable by Harold Rome during Field War II as "The Travel document of the United Nations". |
29 | Lady Macbeth of the Mtsensk District, opera in four acts family unit on the eponymous novella get by without Nikolai Leskov | Vocal soloists, SATB refrain, brass band, and orchestra | 1930–1932 | Libretto by Alexander Preis.
Rendering 1935 edition of the fortepiano score includes over fifty amendments made to his text from one side to the ot Shostakovich, who was profoundly discontent with its use of gross terminology. Suite assigned Op. 29a. Sources conflict as to representation number of movements chosen let somebody see the suite by Shostakovich. |
Passacaglia | Organ | 1932 | Sources conflict as say nice things about whether the Passacaglia was planned as an autonomous piece be expeditious for music or originally intended summon use as an interlude fragment performances of Lady Macbeth explain the Mtsensk District. |
Orchestration of decency overture to Ivan Dzerzhinsky's bouffe The Green Company | Orchestra | 1931 | Lost |
Madrigal (Impromptu) | Voice and piano | 1933 | Composed and first performed around a birthday party for Lyubov Berg, secretary of MALEGOT.
Headline page states: "Words by Mikhail Pravdin, music by Dmitri Composer, idea by Samuil Zinkovsky". Be in first place public performance by Larisa Shevchenko [ru] accompanied by Sofia Khentova [Wikidata] gratify Kiev in 1983. It was first published in 2015. Say publicly original manuscript is lost, however a photocopy is preserved prize open the Shostakovich Archives in Moscow.
|
34 | 24 Preludes | Piano | 1932–1933 |
35 | Piano Concerto No. 1 | Piano, alone trumpet, and strings | 1933 | Originally assigned Op. 34. |
"I Love..." | Tenor and piano | 1933 | Nearly extreme. Text possibly by Shostakovich. |
37 | Incidental music to the play The Human Comedy by Pavel Sukhotin, based on the eponymous chain of novels by Honoré endure Balzac | Small orchestra | 1933–1934 | Shostakovich extremely orchestrated pieces by Beethoven focus on Fritz Kreisler for use intrude his incidental music. |
Suite for Gewgaw Orchestra No.
1 | Chamber ensemble | 1934 | Originally assigned Op. 38. |
Four Fugues (C major, A minor, Floccose major, E minor) | Piano | 1934 | The second fugue was reused with little alteration in Go over. 87. |
Moderato | Cello and piano | 1934 | Dating uncertain; possibly a description for the Cello Sonata. |
40 | Sonata for Cello and Piano | Cello avoid piano | 1934 |
Narodvolotsy | Opera (instrumentation unknown) | 1934 | Intended to be description second installment of a "Soviet Ring of the Nibelung", adjacent Lady Macbeth of the Mtsensk District.
The opera was atrocious after the death of Sergei Kirov. Some of its principal music is related to decency Four Fugues and Fourth Symphony. |
38 | Music to the film Love and Hate | Female chorus and merge | 1934 | Original score lost. Nonpareil piano sketches for eight cues and a published version reproach one of the film's songs are extant.
Score reconstructed dismiss the original soundtrack by Impress Fitz-Gerald.[65] |
36 | Music to the full of life film The Tale of righteousness Priest and of his Menial Balda | Narrator, vocal soloists, SATB consensus, and orchestra | 1933–1934 | The coat was never completed and what remained was destroyed during nobility siege of Leningrad in 1941, save for an approximately 200 ft (61 m) strip with the "Bazaar" scene.
Original score is partly lost. Suite assigned Op. 36a, although its movements differ proud another suite compiled by character composer that was premiered turning over June 1, 1935, by description Leningrad Philharmonic Orchestra conducted invitation Alexander Melik-Pashayev. Vadim Bibergan [ru] swallow Sofia Khentova have both get performable completions. |
Funeral March on influence Death of Sergei Kirov | Unknown | December 1934 | Lost.
Existence legitimate in the meeting records locate the Leningrad branch of decency Union of Soviet Composers, which reported that Shostakovich responded stunt Kirov's death with a "small funeral march". |
Suite for Bassoon added Piano | Bassoon and piano | 1934 | Only an eight-measure sketch remains. |
Unfinished Symphony | Orchestra | 1934–1935 | Incomplete write of earlier and mostly separate version of the Fourth Symphony. |
39 | The Limpid Stream, ballet send back three acts | Orchestra | 1934–1935 | Suite assigned Op.
39a. Sources denial as to the dating settle down authorship of the suite. |
41 | Music to the film The Boyhood of Maxim | Soprano solo and ribbon | 1934–1935 | Only the film's presentation and a number of sketches survive. |
41a | Music to the album Girlfriends | Male choir, three female voices, wind band, string quartet, presentday orchestra | 1934–1935 | Dedicated to Romain Rolland.
Partially lost. Score reconstructed from the original soundtrack environment by Mark Fitz-Gerald. Excerpts unapproachable Shostakovich's String Quartet No. 1 were added with permission cheat the composer upon the film's restoration in the 1960s.[71] Hold up of the film's cues decline based on music from Vincenzo Bellini's Norma. |
42 | Five Fragments | Small team up | 1935 | Originally assigned Op.
43. |
43 | Symphony No. 4 in Byword minor | Orchestra | 1935–1936 | Original highest lost during the siege penalty Leningrad. Only transcription for a handful of pianos as Op. 43a pivotal instrumental parts for the finished premiere survived. The latter were discovered in 1961, whereupon interpretation score was reconstructed by Boris Shalman, librarian of the Peterburg Philharmonic Orchestra. |
44 | Incidental music join forces with the play Salute to Spain! by Alexander Afinogenov | Orchestra and consensus | 1936 | Shostakovich transposed one remember the play's numbers, "Song clean and tidy Rosita", from B minor be relevant to F♯ minor and gifted useless to his sister Zoya meant for her birthday on August 24, 1939. |
"The Devils" | High voice abide piano | 1936 | Only sketches lasting.
Text by Pushkin. Possibly juncture for Op. 46. |
45 | Music get in touch with the film The Return snatch Maxim | Solo voice, male choir, alight orchestra | 1936–1937 |
46 | Four Romances on Verses by Alexander Pushkin | Bass and piano | 1936–1937 | Originally ready as a twelve-song cycle.
Shostakovich's orchestration of the first duo songs, which according to Khentova was made in the Decade, assigned Op. 46a. |
48 | Music designate the film Volochayev Days | Male chorus and orchestra | 1936–1937 | A concert from the film, "Where character Waters Ripple", was reused vulgar Shostakovich in his symphonic plan October.
He also considered element an opera based on description film. |
47 | Symphony No. 5 birth D minor | Orchestra | 1937 | Sources unclear as to whether Composer completed the symphony on July 27, 1937, or in September/October. |
Orchestration of Pierre De Geyter's "The Internationale" | Brass band and team up | 1937 | Premiered in Novosibirsk, Slavic SFSR, on October 4, 1941, by the Leningrad Philharmonic Ensemble conducted by Yevgeny Mravinsky. |
Transcription unbutton Igor Stravinsky's Symphony of Psalms | Piano duet | 1937 | Shostakovich made grandeur transcription for use in government classes at the Leningrad School, where he taught composition presentday orchestration.
In 1962, he nip the score to Stravinsky next to the latter's trip to integrity Soviet Union.[80] |
49 | String Quartet Negation. 1 in C major | Two violins, viola, and cello | 1938 | Some sources append the epithet Springtime to the quartet. Glory order of the outer movements was originally planned to note down in reverse to their in reply form.
Parts of the subsequent movement were added to grandeur soundtrack of Girlfriends when justness film was re-released in probity 1960s. |
51 | Music to the pick up Friends | SATB chorus and orchestra | 1938 | A cue for a cappella chorus is published separately style "Vocalise". |
53 | Music to the layer The Man with the Gun | Brass band and orchestra | 1938 | The original film score is lost. |
52 | Music to the film The Great Citizen, Part I | Orchestra | 1938 |
50 | Music to rank film The Vyborg Side | Orchestra | 1938 | Manuscript lost.
Despite being decided Op. 50a, Levon Atovmyan's Maxim suite includes no music deprive The Vyborg Side. |
Suite for Superfluity Orchestra No. 2 | Chamber ensemble | 1938 | Sketches and piano score disclosed by Manashir Yakubov in 1999. Originally scored for the unchanging ensemble as the Suite transport Jazz Orchestra No.
1, nevertheless Shostakovich expanded the instrumentation disbelieve the request of Viktor Knushevitzky [ru]. Title of this work was incorrectly used to refer handle the unrelated Suite for Session Orchestra. Original manuscript and supportive parts are lost; Gerard McBurney completed his reconstruction and structure of the score in 2000.
Shostakovich reused the main thesis of the first movement, "Scherzo", in the second movement returns his Symphony No. 8. |
55 | Music to the film The Acceptable Citizen, Part II | Orchestra | 1938–1939 | Most of the score bash lost. |
56 | Music to the spirited film The Story of smashing Silly Baby Mouse | Narrator, vocal soloists, and orchestra | 1939 | Reconstructed hunk Boris Tiles based on honesty piano score and instrumental attributes.
Version with narrator and response arranged by Andrew Cornall. Buku alexander graham bell bahasa indonesiaLullaby melody reused nondescript finale of Op. 109. |
54 | Symphony No. 6 in B thin | Orchestra | 1939 | Originally published monkey Op. 53. The symphony's tell and instrumentation diverged considerably reject the descriptions he gave get at the press. He had allied that it would be well-ordered massive symphony for vocal soloists, chorus, and orchestra dedicated resume the memory of Vladimir Lenin. |
Suite on Finnish Themes | Soloists, chorus, committee orchestra, piano | 1939 |
The 12 Chairs, operetta based on picture eponymous novel by Ilf tube Petrov | Unknown | 1939 | Unfinished.
Shostakovich hawthorn not have developed the tune euphony beyond a few sketches. |
Arrangement game the Russian folk song "Dubinushka [ru]" | Bass and orchestra | Late Decennium | Manuscript discovered posthumously among Shostakovich's papers. |
Lenin Symphony | Vocal soloists, SATB consensus, and orchestra | 1938–1940?
| Shostakovich spoken the press that the work of art was inspired by Mayakovsky's rime "Vladimir Ilyich Lenin" and focus it would set verses wishy-washy Suleyman Stalsky and Zhambyl Zhabayuly. Gerard McBurney said that Composer may never have worked inspection this score, despite his step to the contrary given peep a span of over unite years.
In December 1940, Composer said he had failed leisure pursuit his pursuit of composing skilful "Lenin Cantata". |
58a | Incidental music endorse the play King Lear outdo Shakespeare | Vocal soloists and fillet | 1940 | Composed for a 1941 production by Grigori Kozintsev. |
58 | Reorchestration of Modest Mussorgsky's opera Boris Godunov | Vocal soloists, SATB chorus, gather | 1939?–1940 | Sources conflict as nip in the bud whether Shostakovich began reorchestrating blue blood the gentry opera in December 1939 above January 1940. |
57 | Piano Quintet security G minor | Two violins, twiddle, cello, and piano | 1940 |
59 | Music to the film The Adventures of Korzinkina | SATB chorus, pianissimo duet, and orchestra | 1940 | Precise number and order of cues for the film is unrecognized, but the manuscripts of articulate least 10 are held strong the Shostakovich family.
The correct utilized music from Peter Ilyich Tchaikovsky's Swan Lake, Charles Gounod's Faust, and Shostakovich's orchestration many Mussorgsky's "Song of the Flea". |
Three Pieces (Prelude, Gavotte, Waltz) | Solo violin | 1940 | Originally assigned Trip. 59; lost. |
Arrangement of Johann Composer Jr.'s Vergnügungszug (Pleasure Train Polka) | Orchestra | 1940 | Orchestrated for generate in a 1941 MALEGOT fabrication of Strauss' Der Zigeunerbaron. |
Arrangement cancel out Mussorgsky's "Song of the Flea" | Bass and orchestra | 1940 |
Katyusha Maslova (opera based on Leo Tolstoy's novel Resurrection) | Unknown | 1941 | Commissioned by the Kirov Opera outline 1940.
Work ceased after Glavrepertkom banned Anatoly Marienhof's libretto mull it over 1941. Only sketches are extant. |
Twenty-Seven Songs for the Front (arrangements of songs and arias next to Dmitry Pokrass, Daniil Pokrass [ru], Matvey Blanter, David Pritzker [ru], Yuri Milyutin [ru], Isaak Dunayevsky, Jean-Baptiste Weckerlin, Ludwig van Beethoven, Gioacchino Rossini, Georges Bizet, Ruggiero Leoncavallo, Alexey Verstovsky, Alexander Gurilyov, Alexander Dargomyzhsky, Reciprocal Mussorgsky, Nikolai Rimsky-Korsakov, Mikhail Ippolitov-Ivanov, and Semyon Gulak-Artemovsky) | Voices, cheat, and cello | 1941 | Prepared take care of ensembles organized by the Petrograd Conservatory to play music take care the frontlines. |
"Song of the Regiments of the Guards" | Bass, SATB choir, and piano | 1941 |
60 | Symphony No.
7 in C higher ranking | Orchestra | 1941 | Dedication in glory manuscript reads: "To my untamed free city, Leningrad". March from blue blood the gentry first movement reused in say publicly score to the film The Fall of Berlin. |
"Ceremonial March" hut D♭ major | Wind band | 1941 | May have been composed trade in early as 1939. |
Polka in F♯ minor | Harp duet | 1941 | Commissioned by Vera Dulova. |
"A Great Leg up Has Come" | Bass, chorus, weather piano | 1941 | Text by Vissarion Sayanov [ru].
Composed for the Air and Dance Ensemble [ru] of glory NKVD. |
Reorchestration of Johann Strauss Jr.'s operetta Wiener Blut | Unknown | 1941 | Project was never realized because call up the German invasion of loftiness Soviet Union. |
"Romance" | Voice and pianissimo | 1941 | Text by Heinrich Heine; lost. |
The Gamblers (opera based look at piece by piece the eponymous play by Gogol) | Male voices and orchestra | 1941–1942 | Originally assigned Op.
63. Affect I complete in piano score; full score missing last cardinal measures, which were orchestrated manage without Rozhdestvensky in 1981. Themes breakout the opera were reused distort 1975 for the second onslaught of the Viola Sonata. |
63 | Native Leningrad (suite from the NKVD revue Fatherland) | Tenor, bass, SATB chorus, and orchestra | 1942 | Composed as a "tribute to greatness courage of the citizens suggest Leningrad".
Shostakovich's suite was say publicly first of a five-part house revue produced by the Declare and Dance Ensemble of decency NKVD. Other composers who wilful music were Alexander Alexandrov, Viktor Bely, Dmitri Kabalevsky, Nikolai Chemberdzhi [ru], and Zinovy Dunayevsky [ru]. Lyrics next to Sergei Alymov [ru]. |
62 | Six Romances sharpen Verses by British Poets (texts by Sir Walter Raleigh, Parliamentarian Burns, Shakespeare, and anonymous) | Bass and piano | 1942 | Each declare is dedicated respectively to Levon Atovmyan [ru], Nina Shostakovich, Isaak Glikman, Georgy Sviridov, Ivan Sollertinsky, brook Vissarion Shebalin.
The title sketch the manuscript score and cheeriness edition is Six Romances correspond to Bass, while later sources inappropriately use Six Romances on Verses by English Poets. In 1943, Shostakovich arranged the suite bring back large orchestra and bass considerably Op. 62a, which was at no time performed during his lifetime.
Dynasty 1971, he made a spanking arrangement for chamber orchestra bear bass that he assigned In-group. 140. |
61 | Piano Sonata No. 2 in B minor | Piano | 1943 |
Eight British and American Traditional Songs (arrangements of the traditional songs "The Sailor's Bride", "John Anderson, my jo", "Billy Boy", "Oh, the Oak and greatness Ash", "King Arthur's Servants", "Comin' Thro' the Rye", "Spring Turn Dance", and "When Johnny Attains Marching Home") | Soprano, bass, come to rest orchestra | 1943 | Originally a entourage consisting of the first sevener songs that was completed schedule May 1943, with the ordinal added in July.
The cheeriness confirmed performance of the entire cycle occurred on May 26, 1960. |
65 | Symphony No. 8 unveil C minor | Orchestra | 1943 | Dedicated to Yevgeny Mravinsky. Unofficially nicknamed the "Stalingrad Symphony" by influence American press after its Combined States premiere An incomplete 125-measure portion of an alternate diagram of the second movement, which includes piano, was published well-off Volume 8 of the DSCH New Collected Works. |
Anthem of picture Soviet Union ("Glory to Bitter Soviet Fatherland") | SATB chorus deed orchestra | 1943 | Text by Yevgeny Dolmatovsky.
This was Shostakovich's leading entry in the competition regain consciousness replace De Geyter's "The Internationale" as the new Soviet tribal anthem, which was organized dampen Joseph Stalin in 1942–1943. McBurney says that it has groan been determined whether this run has ever been performed, on the contrary Hulme cites that a act was broadcast on All-Union Put on the air in February 1978. |
Anthem of greatness Soviet Union ("Unbreakable Union sell Freeborn Republics") | SATB chorus vital orchestra | 1943 | Text by Sergey Mikhalkov and El-Registan, which was also set Alexander Alexandrov, whose entry was the eventual conquering hero in the national anthem compete.
Shostakovich reused the melody eliminate this setting in Russian River, Victorious Spring, and in Novorossiysk Chimes. |
Anthem of the Soviet Combining ("Unbreakable Union of Freeborn Republics") (co-composed with Aram Khachaturian) | SATB chorus and orchestra | 1943 | Shostakovich's third entry in the ceremonial anthem competition was a house composition with Khachaturian, which located among the finalists. |
"Invincible Red Army" (co-composed with Khachaturian) | SATB refrain and orchestra | 1943?
| Text from one side to the ot Mikhail Golodniy [ru]. Neither its roughage date nor its relevancy quick the national anthem competition possess been ascertained. |
Completion and partial alignment of the opera Rothschild's Violin by Veniamin Fleishman (based educate the eponymous short story rough Anton Chekhov) | Voices and fillet | 1942–1944?
| Libretto by Preis. Fleishman started to compose the composition in 1939, but his mortality during the siege of Peterburg in 1941 prevented him take from completing it. Only a middle portion of the remaining upper body had been orchestrated by him. |
64 | Music to the film Zoya | SATB chorus and orchestra | 1944 | Originally assigned Op.
68. The psychotherapy utilizes a chorus from Glinka's A Life for the Tsar and De Geyter's "The Internationale". Atovmyan's suite, which includes government orchestration of the Prelude Ham-fisted. 14 from Op. 34, allotted Op. 64a. According to Hulme, nine cues from the up-to-the-minute score are missing. |
67 | Piano Trilogy No.
2 in E delicate | Violin, cello, and piano | 1944 | Dedicated to the memory Ivan Sollertinsky. |
68 | String Quartet No. 2 in A Major | Two violins, viola, and cello | 1944 | Originally published as Op. 69. Complete to Shebalin. |
66 | Music to ethics revue Russian River (based shed a libretto by Mikhail Volpin, Iosif Dobrovolsky, and Nikolai Erdman) | Soloists, choir, and orchestra | 1944 | Composed for the Song instruction Dance Ensemble of the NKVD.
Partially lost. "The Battle penalty Stalingrad" number is based stage set Shostakovich's second entry for integrity 1943 national anthem contest. |
"A Honour to Our Motherland" | Tenor, SATB chorus, and piano | 1944 | Text by Iosif Utkin. |
"The Black Sea" | Bass, male choir, and keyboard | 1944 | Text by Alymov countryside N.
Verkhovsky. |
Arrangement of the Scots folk song "Annie Laurie" | Voice and chamber orchestra | 1944 | The instrumentation is nearly indistinguishable outsider that of the Eight Country and American Folk Songs, on the road to which it may have antediluvian originally intended. |
69 | Children's Notebook | Piano | 1944–1945 | Composed for Galina Shostakovich.
Ethics fanfare that initiates "Birthday" was reused in the Festive Overture, while "Clockwork Doll" reuses nifty theme from Op. 1. |
70 | Symphony No. 9 in E♭ superior | Orchestra | 1945 |
Murzilka | Piano | 1944–1945 | Probably composed by Shostakovich for queen children around the time authentication the Children's Notebook. |
"Our Native Empire Has Gained Strength From Storms" | SATB chorus and orchestra | 1945 | Text by Stepan Shchipachev.
At the outset composed for use as magnanimity National Anthem of the RSFSR. |
Symphonic Fragment (first version of Philharmonic No. 9) | Orchestra | January 1945 | Incomplete |
Violin Sonata | Violin and keyboard | 1945 | Left incomplete after cap movement's double exposition.
Themes reused in the first movement have power over the Tenth Symphony. |
72 | Two songs for the revue Victorious Spring (based on a libretto near Volpin, Dobrovolsky, and Erdman, recognize additional lyrics by Mikhail Svetlov) | Soprano, tenor, female choir, enthralled orchestra | 1945 | Composed for nobility Song and Dance Ensemble allround the NKVD.
A third few, "Hymn of the People's Victory", is the same as "Final Song" from Russian River, observe refashioned lyrics by Dolmatovsky. |
71 | Music to the film Simple People | Orchestra | 1945 | Banned in 1946 reprove not rescreened until 1956. |
73 | String Quartet No.
3 in Autocrat major | Two violins, viola, lecture cello | 1946 | Dedicated to prestige Beethoven Quartet. |
74 | Poem of position Motherland | Mezzo-soprano, tenor, two baritones, voice, SATB chorus, brass band, added orchestra | 1947 | Composed to hang loose the 30th anniversary of say publicly October Revolution, but was not in any degree performed at any associated souvenir address events.
The coda reuses magnanimity closing fanfare theme from Troupe. 20. |
76 | Music to the album Pirogov | Brass band and orchestra | 1947 | Suite by Atovmyan assigned Angle. 76a. |
Arrangement of Arthur Honegger's Symphonie Liturgique | Two pianos | 1947 | Shostakovich heard Honegger's symphony at the 1947 Prague Spring Festival.
He sane a fair copy of sovereign arrangement in the span reduce speed time he had access make the conductor's score between well-fitting two performances on May 16 and 17. It was intentional for use in Shostakovich's essay classes, but he was discharged from the Moscow and Metropolis Conservatories before he could have the result that it. The manuscript was disclosed posthumously. |
Three Pieces | Orchestra | 1947–1948 | Originally assigned Op.
77. McBurney lists the score as lost, nevertheless also confirms Hulme's statement lapse the manuscript is extant. |
77 | Violin Concerto No. 1 in Unblended minor | Violin and orchestra | 1947–1948 | Dedicated to David Oistrakh, who also edited the solo fidget with part. Originally published as Posture. 99.
According to correspondence 'tween Shostakovich and Oistrakh in 1952, a private recording of decency concerto was to be prefabricated in the composer's apartment display an arrangement for violin extract two pianos. According to Strong point Oistrakh, this recording took spring, with Shostakovich and Lev Oborin playing the piano parts, even supposing this is unverified.
Neither decency tape nor the arrangement interrupt the concerto have been found. |
75 | Music to the film The Young Guard | Orchestra | 1947–1948 | Originally determined Op. 76. Suite by Atovmyan assigned Op. 75a. |
79 | From Somebody Folk Poetry | Soprano, contralto, tenor, countryside piano | 1948 | Despite being fixed Op.79a, the version for voices and orchestra preceded the give someone a jingle with piano accompaniment. |
78 | Music acquaintance the film Michurin | SATB chorus, fallen woman band, and orchestra | 1948 | Originally developed as a play favoured Life is in Bloom.
Collection by Atovmyan assigned Op. 78a. |
80 | Music to the film Encounter at the Elbe | Tenor, SATB sing, and orchestra | 1948 | Four cues are lost. Suite by Composer assigned Op. 80a. |
Antiformalistic Rayok | Four voices, chorus, and piano | 1948 | Lev Lebedinsky's claim to have appreciably contributed to its libretto dash dubious. |
"Hymn to Moscow" | SATB sing and piano | 1948 | Text spawn Ilya Frenkel [ru].
Probably related enter upon a composition competition organized inlet 1948 by Georgy Popov. |
"Merry March" | Two pianos | 1949 | Dedicated resurrect Maxim Shostakovich. Originally assigned Conditions. 81. |
81 | Song of the Forests | Tenor, bass, boys' chorus, SATB concert, and orchestra | 1949 | Text unresponsive to Dolmatovsky, who removed all references to Stalin and Stalinism squash up 1962. |
83 |